A Quote by Edith Bowman
I got so much negative feedback about my accent. People saying, 'Yeah, you need to go to elocution lessons.'
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I took acting and elocution lessons, to get rid of my Sicilian accent.
Someone suggested elocution lessons but there is no way I am changing my accent, I'm proud of my roots.
They said [on a day show], oh, you can't do a Chinese accent. That's - and I said, I'm not doing a Chinese accent. I'm doing my friend's accent. And they said, yeah, you can't do that. And I said, OK, but can I do a Russian accent? And they said, yeah, yeah, of course, you can do that. I said, and a British accent? They said, yeah, go ahead. And I couldn't understand.
I actually got a lot of negative feedback about my hair on 'The Bachelor' because I like to just wash it and go.
I don't think it was much of a forum for positive or negative feedback; it was mainly, "How can I make somebody laugh?" It wasn't a serious thing where I needed people to give me feedback.
I used to have elocution lessons when I was growing up, and then it kind of got to the point where I was like, this is me.'
When I first started out, being from the South and going to New York or Chicago, people kept telling me to get voice lessons and 'lose that stupid accent you got.' And I'm like, 'Well, where I come from, you have the stupid accent.'
I never took any elocution lessons, no diction lessons. I might have been a pretty decent broadcaster if I had, but what you see, I'm afraid, is what you get.
It's been kind of extreme - people either love it or they don't like it at all - and I think that's a good thing. It's my first art project where there's not a middle ground. I find it very interesting. But the negative feedback hasn't at all kept me from doing it, obviously. Because I haven't really gotten any negative feedback that I feel is really warranted.
I was the first and only person in my family to go to university, and I spent two decades redesigning myself: even my voice is the product of elocution lessons.
Step one is to take ownership of figuring strengths ans weaknesses out. It starts with writing them down but, to take ownership, you have got to seek feedback of those who directly observe you - this is scary and uncomfortable for many people. It's no fun to hear negative feedback and most people don't want to stick their necks out to give it to you. So, you have to ask.
Ordinary people who know nothing of phonetics or elocution have difficulties in understanding slow speech composed of perfect sounds, while they have no difficulty in comprehending an imperfect gabble if only the accent and rhythm are natural.
I have trouble sometimes watching actors - even when they do a great job - with an accent. It kind of removes me, somehow. And maybe at some point, yeah, it could be a really cool experience. It's not something that I consciously think, "Oh yeah, I want to do a movie with an accent." Not to say that it couldn't happen.
I'm happy to say I haven't received that much negative feedback. I'm always thrilled when I get feedback from young people, particularly from The New Normal, young gay people - when they say they want that when they grow up, that means a lot to me. As a kid growing up, I didn't really have a lot of gay role models on television, so it's nice to be part of a movement that gives some more of those.
People talk about this 'bucket list': 'I need to go to this country, I need to skydive.' Whereas I need to think as much as I can, to feel as much as I can, to be conscious and observe and understand me and the people around me as much as I can.
I guess the most interesting thing that people think is I'm English. They think that I live in England and have a British accent. When they talk to me, at first they go, "Man, you have a great American accent," and I go, "No, no, no, this is my accent. I don't do accents." And then they're really disappointed, and they try to punch me.
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