A Quote by Edith Bowman

When I went to university, I got work experience at my local radio station, and I used to spend hours in what was then the CD library. I was supposed to be filing the CDs, but I was actually randomly picking stuff up and blaring it out of the speakers.
I have an iPod, but I put my music in it from my CDs, and then I have that CD in my library.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
There was this mountain village in Russia where my music was getting in on some German radio station. I remember this because music used to get up to Saskatchewan from Texas. Late at night after the local station closed down.
I have listened to college radio quite a lot. I never went to college, so actually the college radio station is sort of like the closest I got to some kind of college experience.
I actually don't listen to CDs very often. I listen to the radio or if I do listen to a CD, it'll be a mix.
My local radio station, WHOC, Philadelphia, Mississippi - '1490 on your radio dial, a thousand watts of pure pleasure' - it was a beautiful station. And I loved everything I heard. But it was country music that touched my heart.
For people starting public radio shows, one of the things you have to do is you have to talk every single public radio station into picking you up.
When I was on the radio, I used to be able to go a lot farther than I can now. You don't really remember until you're on the radio again, sometimes in your old radio station and sitting with the guys you used to work with and you go, 'Oh yeah, I can't say these things anymore. I'm handcuffed.'
No one listens to CDs anymore. Who even owns a CD? I used to bring my CDs to shows, and it was, like, a guarantee that everyone would buy one. Nope! Not anymore.
I used to work very long hours. Then I started to realize that the stuff that I was writing in the late afternoons, I was generally throwing out. So I quit earlier than I used to.
A lot of people that buy vinyl today don’t realise that they’re listening to CD masters on vinyl and that’s because the record companies have figured out that people want vinyl, And they're only making CD masters in digital, so all the new products that come out on vinyl are actually CDs on vinyl, which is really nothing but a fashion statement.
When I think about dropping team sports and picking up surfing and also then geeking out radio control planes and gadgetry and all that stuff I love, that's what really now has led me in big part to GoPro.
I started DJing soundclashes. I used to go to Jamaica a lot. I was like a hip-hop sound boy, where I took the dancehall culture and mixed it up with the hip-hop as well. I kept going, going, and I got real hot in the streets of Miami - you know, doing pirate radio - then ended up doing 99 Jamz, the big station out there.
I think teenagers just don't have the persistence to pretend to like something they don't anymore. I used to do that - make myself like stuff that didn't immediately appeal to me. When you're 17 and checking out John Cage records from the library. It's not like it's got the hooks of a Ramones record, or a Beach Boys record. But at the same time, you're like, I know there's something in here that I'm supposed to understand. And then eventually you find it.
My dad used to get to the nastiest letters. But somebody had to take the time to type it, stamp it, send it to him, send it to the radio station. And I mean nasty stuff. It's not like nasty people with nasty opinions just popped up out of nowhere.
When I first started, it was the real basic stuff that was being played on the radio, so I was into Zeppelin, and Sabbath, and AC/DC, and all stuff like that. I grew up in New York, on Long Island, so the local radio stations played all that kind of thing.
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