A Quote by Edith Bowman

Japan was this wonderful unexplainable sensual explosion - everything about it I found fascinating. There's a real dichotomy between the 'Blade Runner'-esque Tokyo to visiting a Buddhist monastery in the countryside.
When it was released in the 80s in Japan, 'Blade Runner' was actually a series that influenced the Japanese media very much so. I assume that everyone in the anime industry has seen Blade Runner at some point.
I'm among the hardcore fans of 'Blade Runner.' 'Blade Runner' is one of my favorite movies of all time. It's a movie that is linked with my love and passion for cinema.
Blade Runner was the godfather of all these fantastic movies that occur today. What's frustrating is that we're short of really great writing and great ideas. Blade Runner was full of them.
Blade Runner is a rare science fiction movie so full of material that pages can be written about it without scratching the surface. A review like this can provide little more than an overview. A detailed exploration of the movie, its style, and its mysteries requires dedication that only someone immersed in Blade Runner lore can provide.
When I saw 'Blade Runner,' my understanding was that 'Blade Runner' and 'Alien' were sequels to each other - or they were related. They were set in the same world.
I'm not a New Age person, but I do believe in meditation, and for that reason I've always liked the Buddhist religion. When I've been to Japan, I've been to Buddhist temples and meditated, and I found that rewarding.
I grew up in the countryside and wanted to go to Tokyo. I had Tokyo complex.
I am from the countryside, very rural countryside, and I moved to Tokyo when I was 18 and have been living first-ever since. So yes, I am a city guy, but sometimes I sort of feel there's another me in a parallel world, still in the countryside.
The film that really struck me was Ridley Scott's Blade Runner. That was a film I watched many, many times and found endlessly fascinating in it's density. I think the density of that film is primarily visual density, atmospheric, sound density, moreso than narrative density.
I had thought that Tokyo would be like New York City, but it wasn't. I'd imagined that they'd be similar in their bustle and noise level, but, in fact, Tokyo is a very calm metropolis. The bright lights and hectic night-life images so often found in advertisements and Western media do not reflect every day Japan.
New York City has changed enormously. My gut impression of it now is that it's like being in a sci-fi novel: 'Blade Runner' syndrome. Nothing seems real anymore; everything is pre-packaged.
If you resort to violent methods because the other side has destroyed your monastery, for example, you then have lost not only your monastery, but also your special Buddhist practices of detachment, love, and compassion.
Honestly, I would never say, 'Oh, I've decided not to read 'The Left Hand of Darkness' because I've seen 'Blade Runner.' I've decided not to read 'Neuromancer' because I've seen 'Blade Runner.''
I'm much more Buddhist. I mean, I'm not a Buddhist. I should be so lucky to be a Buddhist, a real Buddhist, but of all the things I investigated, that seems to make the most sense to me.
When 'Blade Runner' came out, and especially, even actually when 'Alien' came out, it kind of changed how all science fiction movies were designed after that. And that was a really great thing. Now we're watching a lot of movies that are Xeroxes of Xeroxes of Xeroxes of Xeroxes of 'Blade Runner.'
Koizumi was not rooted in Japan's rightwing nationalist tradition: he was a pragmatist and a populist. Abe, in contrast, is a rightwing nationalist. Unlike Koizumi, for example, he has questioned the validity of the postwar Tokyo trials of Japan's wartime leaders, which found many of them guilty of war crimes.
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