A Quote by Edith Bowman
Baby Jane' is a tune, what a sax solo. And The Faces' 'Stay With Me' is amazing.
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The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.
One of the biggest breaks we had actually, one of the biggest, the hardest I laughed on the movie [The Hangover] was the baby was just doing ridiculous things and making hilarious faces. But I'm sitting there and I'm supposed to be having this exchange with Zach [ Galifianakis] and the baby is like staring at me with these huge eyes and acting, and just making the most cerebral faces, and I could not keep it together.
Now that I am much older, I have had a number of sax players tell me I was responsible for them playing sax. Some of them I have admired over the years.
I'm a very intermediate sax player, but now that Rob Lowe is on my show, I had to cop to him. Like, 'Dude your ridiculous fake sax playing [in St. Elmo's Fire] inspired me to pick up a horn.'
Sorry for the tune up between time, but what the hell, cowboys are the only ones who stay in tune, anyway.
Chano Pozo created the role of the conga soloist in the modern band, somewhat th way Coleman Hawkins created the solo tenor sax.
Tell the angels no, I don’t wanna leave my baby alone I don’t want nobody else to hold you That’s a chance I’ll take Baby I’ll stay, Heaven can wait No, if the angels took me from this earth I would tell them bring me back to her It’s a chance I’ll take, maybe I’ll stay Heaven can wait
Basically, my mother couldn't hold a tune and when I was a baby, a rather tactless baby, I would ask her not to sing... you can't get to sleep if someone is singing off key nearby.
To me [Edgar Allen Poe's] prose is unreadable—like Jane Austin's [sic]. No there is a difference. I could read his prose on salary, but not Jane's. Jane is entirely impossible. It seems a great pity that they allowed her to die a natural death.
I cannot stress enough that the answer to life's questions is often in people's faces. Try putting your iPhones down once in a while, and look in people's faces. People's faces will tell you amazing things. Like if they are angry, or nauseous or asleep.
Taking a solo on a tune is always a little bit scary.
I'm in love with mary jane. she's my main thing. she makes me feel alright. she makes my heart sing. and when I'm feeling low, she comes as no suprise. turns me on with her love, takes me to paradiiiiise do you love me mary jane, yeah now do you think you love me mary jane don't you play no game.
It grabs me, but not as much as it grabs some of the other people that rave about them. With the Black Keys, I'm missing crescendos with the sax, keyboard or guitar solo. It never comes to me. All my favorite music is rife with crescendo and I'm not hearing enough with them. If you can get the Black Keys to hear this, tell them I offer my crescendo guitar anytime they desire it.
Powers that be can't stay in control if you have everybody in love and in tune with each other and with the planet, and in tune with the electrons and the dark matter that's moving at the speed of light. That won't work in their interest. They gotta get you ready for your microchip.
When I read the 'Dick and Jane' stories, I thought they were afraid they might forget each other's names because they always said each other's names - a lot. So if Jane didn't see the dog, Dick would say, 'Look Jane, look. There is the dog next to Sally, Jane. The dog is also next to mother, Jane. The dog is next to father, Jane.'
I know you know the tale of Baby June You know the way she could deliver a tune She was a killer in a petticoat A little bit of everyone you adore... And if your baby let you down at night, Well Baby June would make it up alright And I was never happier Than in the arms and charms of her
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