A Quote by Edith Head

My motto is that the audience should notice the actors, not the clothes. — © Edith Head
My motto is that the audience should notice the actors, not the clothes.
If the audience gets everything, if they see the photography and notice that it is good, then the story goes out the window, but if you become involved with the lives of the actors and forget that you are seeing mechanical devices on a huge screen - forget the make-believe - this is the job of the director to involve the audience with the actors.
A man should dress in a way that you don't notice. He looks good and you don't know why. But it's the tailoring, the materials, and the clothes.
I always laugh because if I walk through the mall in my gym clothes a ponytail I get recognized but if I'm in street clothes or dressed up not very many people notice.
Actors should be overheard, not listened to, and the audience is 50 percent of the performance.
We notice things that don't work. We don't notice things that do. We notice computers, we don't notice pennies. We notice e-book readers, we don't notice books.
No one should notice how your eyes are done or the color of your eyeshadow. They should just notice you and notice that you're beautiful, that you have beautiful eyes.
There is nothing "useful" about fashion, which is why it is fashion and not clothes. My personal opinion about the runway is that it should be used to whisk the audience off to a fantasy world that is possible, but not probably. It should delight and inspire.
People forget that actors are actors, who are looking to put on the clothes and the character, and then shed it just as easily.
If it is a relief to take your clothes off at night, be sure that something is wrong. Clothes should not be a burden. They should be a comfort and a protection.
Sometimes in the afternoon sky the moon would pass white as a cloud, furtive, lusterless, like an actress who does not have to perform yet and who, from the audience, in street clothes, watches the other actors for a moment, making herself inconspicuous, not wanting anyone to pay attention to her.
The theater is a communal experience, and whatever the emotional connection between an audience member and the actors onstage, it ripples through the whole audience. Part of the fun of the play is being a part of that audience.
The range of what we think and do is limited by what we fail to notice. And because we fail to notice that we fail to notice, there is little we can do to change; until we notice how failing to notice shapes our thoughts and deeds.
I love my situation as a spectator. The actors are only a little bit ahead of the audience. The audience discovers the episode when it's screened, but we actors only discover the episode when we get the script, two weeks ahead of shooting. Until then, we know nothing of the evolution of our characters.
There are actually quite high profile British TV star cameos in it that you probably wouldn't even notice, that the British wouldn't even notice, let alone the American audience.
Be prepared,' that's my motto." He smiled smugly at me. "That, and 'Sleep whenever possible.' Oh, and 'If you don't notice it's gone, what's the harm in me taking it?
People think that theater actors are too big for the camera. It's like, 'No, we're actors and we adjust for our audience.'
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