A Quote by Edith Pearlman

Tony Judt's remarkable 'The Memory Chalet' was written from the prison of mute immobility. — © Edith Pearlman
Tony Judt's remarkable 'The Memory Chalet' was written from the prison of mute immobility.
I am certainly influenced by certain post-structuralist traditions but also a number of other theoretical archives as well - including the brilliant work of Paulo Freire, Zygmunt Bauman, Loic Wacquant, Nancy Fraser, Tony Judt, and others.
The letter kills the spirit. The written text is mute in the face of responding challenge. It does not admit of inward growth and correction. Text subverts the absolutely vital role of memory.
A lot has been written about Tony Perkins and myself and I figured, Let's get it straight. I had a relationship with Tony for two to three years, but those are only threads in the tapestry of my whole life.
A beautifully written tale that lives somewhere between landscape and memory, where regret becomes a prison, and a story told often enough becomes truth.
Memory is a dead thing. Memory is not truth and cannot ever be, because truth is always alive, truth is life; memory is persistence of that which is no more. It is living in ghost world, but it contains us, it is our prison. In fact it is us. Memory creates the knot, the complex called the I and the ego
There is, on the whole, nothing on earth intended for innocent people so horrible as a school. To begin with, it is a prison. But in some respects more cruel than a prison. In a prison, for instance, you are not forced to read books written by the warders and the governor. . . .In the prison you are not forced to sit listening to turnkeys discoursing without charm or interest on subjects that they don't understand and don't care about, and therefore incapable of making you understand or care about. In a prison they may torture your body; but they do not torture your brains.
Perhaps the immobility of the things that surround us is forced upon them by our conviction that they are themselves, and not anything else, and by the immobility of our conceptions of them.
Objects obey quantum laws- they spread in possibility following the equation discovered by Erwin Schodinger- but the equation is not codified within the objects. Likewise, appropriate non-linear equations govern the dynamical response of bodies that have gone through the conditioning of quantum memory, although this memory is not recorded in them. Whereas classical memory is recorded in objects like a tape, quantum memory is truly the analog of what the ancients call Akashic memory, memory written in Akasha, Emptiness- nowhere.
The importance of immobility and silence to photographic authority, the nonfilmic nature of this authority, leads me to some remarks on the relationship of photography with death. Immobility and silence are not only two objective aspects of death, they are also its main symbols, they figure it.
When I was in prison, I read an article - don't be shocked when I say I was in prison. You're still in prison. That's what America means: prison.
Have you noticed that they write parts for mute women but not for mute men? It must be a masculine dream: a woman who can feel and hear but not talk!
A good liar must have a good memory. Kissinger is a stupendous liar with a remarkable memory.
The courage of the Syrian protesters is remarkable, for they face prison, torture, or death every time they lift a banner.
Our memory and the movies keep movie stars alive for us, and Tony Curtis is still a star.
You have a... remarkable memory." "I remember everything about you. You're the one who wasn't paying attention.
You can be locked away in prison and be free if your mind is not a prison. Or you can be walking around with lots of credit cards and be in a prison, the prison of your own mind, the prison of your illusions.
This site uses cookies to ensure you get the best experience. More info...
Got it!