A Quote by Edith Sitwell

Virginia Woolf's writing is no more than glamorous knitting. I believe she must have a pattern somewhere. — © Edith Sitwell
Virginia Woolf's writing is no more than glamorous knitting. I believe she must have a pattern somewhere.
It is okay to experiment with language. Writers such as James Joyce, Virginia Woolf experimented with writing, but basically, one must have a familiarity with the language. And to have that, one must respect it.
Virginia Woolf thought a lot about her own sex when she wrote. In the best sense of the word, her writing is very feminine, and by that I mean that women are supposed to be very sensitive to all the sensations of nature, much more so than men, much more contemplative. It's this quality that marks her best works.
Think of Virginia Woolf, 'A Room of One's Own' - that's what women have always needed under patriarchy and can't be creative without. They took away my classroom and my status to teach, and now they have taken away my office, and all of it is giving the message that Virginia Woolf and I are losing what I call 'womenspace.'
There's a great quote about Virginia Woolf, she had the same spiritual stake in her diaries as she had in her writing.
Philip Glass, like [Virginia] Woolf, is more interested in that which continues than he is in that which begins, climaxes, and ends... Glass and Woolf have both broken out of the traditional realm of the story, whether literary or musical, in favor of something more meditative, less neatly delineated, and more true to life. For me, Glass [finds] in three repeated notes something of [a] rapture of sameness.
Vita Sackville-West is one of my favorite female icons. She was a writer and a prolific gardener, but she also had a relationship with Virginia Woolf, and she was married to Sir Harold Nicolson. She was a woman who lived outside of norms.
Virginia Woolf said that writers must be androgynous. I'll go a step further. You must be bisexual.
I love reading other people's diaries, especially someone like Virginia Woolf's - such a formidable woman that it's a revelation when she shows you a more vulnerable side of herself.
When I saw Virginia Woolf, somewhere between the first and second acts, someone I had known as my mother became somebody else.
Virginia Woolf was one example. She was called the "Lover of 100 Gangsters."
In the end I created a career of my own, concentrating on my writing and lecturing, reaching larger audiences than I would had I ended up with tenure and a full teaching load. It was Virginia Woolf who said that it is terrible to be frozen out of a sacred tradition - but even more terrible to be frozen into it.
I admire Virginia Woolf so much that I wonder why I don't like her more. She makes the inner things real, she does illumine, and she makes relationships realities as well as people. But I remember the intensity, the thrill, with which I read 'Passage to India.' How I would have hated anyone who took the book away from me.
The notion of the writer as a kind of sociological sample of a community is ludicrous. Even worse is the notion that writers should provide an example of how to live. Virginia Woolf ended her life by putting a rock in her sweater one day and walking into a lake. She is not a model of how I want to live my life. On the other hand, the bravery of her syntax, of her sentences, written during her deepest depression, is a kind of example for me. But I do not want to become Virginia Woolf. That is not why I read her.
The greatest texts, I think, first dazzle, then with careful rereading, they instruct. I have learned from Virginia Woolf more than I even know how to articulate.
I think of writing--particularly of writing picture books--as a kind of choreography. A picture book must have pace and movement and pattern. Pictures and text should, together, create the pattern, rather than simply run parallel.
She pulled off Virginia Woolf's To the Lighthouse and settled down in a comfortable leather chair by the fire to read.
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