A Quote by Edith Sitwell

What an artist is for is to tell us what we see but do not know that we see. — © Edith Sitwell
What an artist is for is to tell us what we see but do not know that we see.
Whatever else anyone says he was, he may have been. But Tupac really was a great American artist. The passage of time allows us to see things as they really are: We see the poetry; we see the personality; we see different sides.
I believe that in our own individual ways, God takes us to the grove or the mountain or the temple and there shows us the wonder of what His plan is for us. We may not see it as fully as Moses or Nephi or the brother of Jared did, but we see as much as need to see in order to know the Lord's will for us and to know that He loves us beyond mortal comprehension.
When I walk through the city, I just think that I see my family. I see us in everybody, you know? I see us.
The one joy that has kept me going through life has been the fact that stories unite us. To see you as you listen to me now, as you have always listened to me, is to know this: what I can believe, you can believe. And the way we all see our story-not just as Irish people but as flesh and blood individuals and not the way people tell us to see it-that's what we own, no matter who we are and where we come from.
You cannot see what I see because you see what you see. You cannot know what I know because you know what you know. What I see and what I know cannot be added to what you see and what you know because they are not of the same kind. Neither can it replace what you see and what you know, because that would be to replace you yourself." "Hang on, can I write this down?" said Arthur, excitedly fumbling in his pocket for a pencil.
What the rest of us see only under the influence of mescalin, the artist is congenitally equipped to see all the time.
Here's the thing: You rescue us every day in small, quiet ways, so why not in this way? Let us into your mystery, tell us how you would like to be loved, show us how to see you, really see you.
Kevin Feige and I have very smart people who work for us, who make sure that we see everything. And that we actually see everything. They see everything, tell us about it, we see it. You have to have people who work with you, who say 'you have to look at this film'. And then you look at it. You really have to look at it. You have to look at movies all the time.
I see the ups and downs. I see the mistakes I've made. I see a funny person. I see a serious person. I see a diamond. I see the good times. I see the bad times. And I see knowledge of self. I see knowledge of self. I know who I am. When I look in the mirror, I see me.
Being an artist, I had an artist's instincts.You can see the picture before it's taken; then it's up to you to get the camera to see
I see the artist as a participant, a co-producer of reality. I do not see the artist as a person who sits at a distance and evaluates.
You see all the young girls, and they're so skinny. I actually don't even twirl anymore. They say, "Twirl, let us see your back." I just tell 'em, "I do not twirl. If you want to see my back, when I walk away, you can take a picture of it. I'm not twirling." You know, I twirled once, and I almost fell. It looks ridiculous. So I said I'm not twirling anymore.
I do not actually see how art, literature can be anything other that being in that domain of trying to tell us, trying to get us to see what is important in our lives.
I know you can't see it, not you, Ed, but maybe if I tell you the whole plot you'll understand it this once, because even now I want you to see it. I don't love you anymore, of course I don't, but there's still something I can show you. You know I want to be a director, but you never truly see the movies in my head and that, Ed, is why we broke up.
Let me tell you who we conservatives are: we love people. When we look out over the United States of America, when we are anywhere, when we see a group of people, such as this or anywhere, we see Americans. We see human beings. We don't see groups. We don't see victims.
While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.
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