A Quote by Edith Wharton
Set wide the window. Let me drink the day. I loved light ever, light in eye and brain No tapers mirrored in long palace floors, Nor dedicated depths of silent aisles, But just the common dusty wind-blown day That roofs earth's millions.
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Set wide the window. Let me drink the day.
Like wind-- In it, with it, of it. Of it just like a sail, so light and strong that, even when it is bent flat, it gathers all the power of the wind without hampering its course. Like light-- In light, lit through by light, transformed into light. Like the lens which disappears in the light it focuses. Like wind. Like light. Just this--on these expanses, on these heights.
There will be natural propriety in using an eastern light for bedrooms and libraries, a western light in winter for baths and winter apartments, and a northern light for picture galleries and other places in which a steady light is needed; for that quarter of the sky grows neither light nor dark with the course of the sun, but remains steady and unshifting all day long.
I call it God Light, because it reminds me of heaven. Every time the light shines through the window we built or any window at all, you'll know I'm right there with you, okay? That's going to be me. I'll be the light in the window.
I'm always able to find light moments on any set, no matter what. Just because a scene is heavy doesn't mean that you have to be heavy, all day long. I was working with people who had a sense of humor and wanted to have those light moments with me.
I'm happiest when most away I can bear my soul from its home of clay On a windy night when the moon is bright And the eye can wander through worlds of light— When I am not and none beside— Nor earth nor sea nor cloudless sky— But only spirit wandering wide Through infinite immensity.
Any one who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light or from going into the light, which is true of the mind's eye, quite as much as of the bodily eye; and he who remembers this when he sees any one whose vision is perplexed and weak, will not be too ready to laugh; he will first ask whether that soul of man has come out of the brighter light, and is unable to see because unaccustomed to the dark, or having turned from darkness to the day is dazzled by excess of light.
People who comprehend a thing to its very depths rarely stay faithful to it forever. For they have brought its depths into the light of day: and in the depths there is always much that is unpleasant to see.
In New Mexico, he always awoke a young man, not until he arose and began to shave did he realize that he was growing older. His first consciousness was a sense of the light dry wind blowing in through the windows, with the fragrance of hot sun and sage-brush and sweet clover; a wind that made one's body feel light and one's heart cry 'To-day, to-day,' like a child's.
It is not strange that that early love of the heart should come back, as it so often does when the dim eye is brightening with its last light. It is not strange that the freshest fountains the heart has ever known in its wastes should bubble up anew when the lifeblood is growing stagnant. It is not strange that a bright memory should come to a dying old man, as the sunshine breaks across the hills at the close of a stormy day; nor that in the light of that ray, the very clouds that made the day dark should grow gloriously beautiful.
Light has called forth one organ to become its like, and thus the eye is formed by the light and for the light so that the inner light may emerge to meet the outer light.
Some days are born ugly. From the very first light they are no damn good what ever the weather, and everbody knows it. No one knows what causes this, but on such a day people resist getting out of bed and set their heels against the day. When they are finally forced out by hunger or job they find that the day is just as lousy as they knew it would be.
The paintings in our galleries are seen one day in bright sunshine and another day in the dim light of a rainy afternoon, yet they remain the same paintings, ever faithful, ever convincing. To a marvelous extent they carry their own light within. For their truth is not that of a perfect replica, it is the truth of art.
The light for drawing from nature should come from the North in order that it may not vary. And if you have it from the South, keep the window screened with cloth, so that with the sun shining the whole day the light may not vary. The height of the light so arranged as that every object shall cast a shadow on the ground of the same length as itself.
This house has been far out at sea all night, The woods crashing through darkness, the booming hills, Winds stampeding the fields under the window Floundering black astride and blinding wet Till day rose; then under an orange sky The hills had new places, and wind wielded Blade-light, luminous black and emerald, Flexing like the lens of a mad eye.
The light of common sense is fundamentally the same light as that of science, that is to say, the natural light of the intellect. But in common sense this light does not return upon itself by critical reflection, and is not perfected by what we shall learn to know as a scientific habit.
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