A Quote by Edith Widder
I had wanted to place the Eye-in-the-Sea at an oasis on the bottom of the ocean, in some site rich with life that was likely to be patrolled by large predators. The first time I got to test the camera at such a place was in 2004, in the north end of the Gulf of Mexico, at an amazing location called the brine pool.
Related Quotes
There is a river in the ocean. In the severest droughts it never fails, and in the mightiest floods it never overflows. Its banks and its bottom are of cold water, while its current is of warm. The Gulf of Mexico is its fountain, and its mouth is in the Arctic Sea. It is the Gulf Stream.
My first feeling was a wild desire to drive a stake in the sand and claim the place for myself. The beach was white as salt, and cut off from the world by a ring of steep hills that faced the sea. We were on the edge of a large bay and the water was that clear, turquoise color that you get with a white sand bottom. I had never seen such a place. I wanted to take off all my clothes and never wear them again.
When I first ventured into the Gulf of Mexico in the 1950s, the sea appeared to be a blue infinity too large, too wild to be harmed by anything that people could do.
I prefer shooting on location, just because it always helps you. You go some place, you put your life on hold even more than when you've settled in some place. You can make a new life so it opens yourself up to the make-believe and the imagination in a way when you aren't burdened by things that remind you of your life all the time.
The momentum of Asia's economic development is already generating massive pressures for the exploration and exploitation of new sources of energy and the Central Asian region and the Caspian Sea basin are known to contain reserves of natural gas and oil that dwarf those of Kuwait, the Gulf of Mexico, or the North Sea.
As a child, I was aware of the widely-held attitude that the ocean is so big, so resilient that we could use the sea as the ultimate place to dispose of anything we did not want, from garbage and nuclear wastes to sludge from sewage to entire ships that had reached the end of their useful life.
There was a guy called Carlos Thompson, who was I think Argentinian, and he was doing a series called 'Sentimental Agent'. That was the very first thing that I did. It was supposed to be taking place in some exotic location, but in actual fact, it was Chertsey with a few shivering potted palms.
I can use the camera to make a place or landscape; the camera to a greater extent projects rather than takes in or reproduces. The camera, or, rather, the eye, produces the impression of the place: I as a photographer am not passively taking in; I am active as a subject generating the object.
A place (lieu) is the order (of whatever kind) in accord with which elements are distributed in relationships of coexistence. It thus excludes the possibility of two thing being in the same location (place). The law of the 'proper' rules in the place: the elements taken into consideration are beside one another, each situated in its own 'proper' and distinct location, a location it defines. A place is thus an instantaneous configuration of positions. It implies an indication of stability.
I'm like a gypsy. I've got a place in Beijing, a place in New York, a place in west Africa; I'm working on a place in Colombia. I like the fact that painting is portable - and I've wanted my entire life to be able to see the world, to respond to it, and make that my life's work.
With 'Black Sea,' I long had an idea that I wanted to do a film about people stuck on the bottom of the ocean. I thought that was a terrifying scenario.
Measuring nuclear yield depends on multiple parameters - the location and number of instruments, the geology of the area, the location of the seismic station in relation to the test site.
In the pre-capitalist world, everyone had a place. It might not have been a very nice place, even maybe a horrible place, but at least they had some place in the spectrum of the society and they had some kind of a right to live in the place. Now that's inconsistent with capitalism, which denies the right to live. You have only the right to remain on the labour market.
There is something called the rapture of the deep, and it refers to what happens when a deep-sea diver spends too much time at the bottom of the ocean and can't tell which way is up. When he surfaces, he's liable to have a condition called the bends, where the body can't adapt to the oxygen levels in the atmosphere. All of this happens to me when I surface from a great book.
Back when we started this at the tail end of 'Eye of the North,' Ree Soesbee and I worked out 250 years of timeline between the end of 'Eye of the North' and the beginning of 'Guild Wars 2.'
The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
Related Authors
Austin O'Malley Quotes
American
Scientist
Carl Sagan Quotes
American
Scientist
Charles Darwin Quotes
English
Scientist
E. O. Wilson Quotes
American
Scientist
Georg C. Lichtenberg Quotes
German
Scientist
Isaac Asimov Quotes
American
Scientist
Jane Goodall Quotes
English
Scientist
Margaret Mead Quotes
American
Scientist
Nassim Nicholas Taleb Quotes
Lebanese
Scientist
Neil deGrasse Tyson Quotes
American
Scientist
Richard Dawkins Quotes
English
Scientist
Stephen Jay Gould Quotes
American
Scientist
Steven Pinker Quotes
Canadian
Scientist
Sylvia Earle Quotes
American
Scientist
Thomas Huxley Quotes
English
Scientist
W. Edwards Deming Quotes
American
Scientist