A Quote by Edith Widder

Since my first dive in a deep-diving submersible, when I went down and turned out the lights and saw the fireworks displays, I've been a bioluminescence junky. But I would come back from those dives and try to share the experience with words, and they were totally inadequate to the task. I needed some way to share the experience directly.
During my first open ocean dive, I went down to 800 feet and turned out the lights. I knew I would see bioluminescence, but I was totally unprepared for how much. It was incredible! There were explosions of light everywhere, like being in the middle of a silent fireworks display.
I try my best to be honest. A lot of the greats before me did the same and what you come to find out is that, when you have the opportunity to share your words with millions of people, you're not the only one who had that experience. That's the beauty in it.
I've always been someone who likes to share and talk. When something happens to me I [don't] run away from it. I want to dive right into and explore it. Try to figure out why it's happening and try to figure out something good that's going to come out of it.
When I watched 'Jeopardy!' as a kid, I would primarily watch with my grandmother. She was the most beautiful person the world has ever seen. Her first language wasn't English, so she couldn't follow along well, but she wanted to share this experience with me since she saw it was something I really liked.
I believe that everybody needs to tell their story - to be heard, to be seen, to be acknowledged, to be understood. We all want that, deep down inside - and writing a book is a great way to make sense of your own experience and to share it with others.
I feel like there's an obligation - this sounds terribly pretentious - if you're an artist, to share your own experience in a way that's truthful and honest: 'This is what I have to share; this is my life.'
I launched Little Lights of Mine because I was a young, 23-year-old new mom. I was home at the time and looking for direction. I started the blog as a place to just share everything. It quickly turned into a food-based blog where I would share all of my favorite recipes.
While I do not think it was so intended I have always been of the opinion that this turned out to be much the best for me. I had no national experience. What I have ever been able to do has been the result of first learning how to do it. I am not gifted with intuition. I need not only hard work but experience to be ready to solve problems. The Presidents who have gone to Washington without first having held some national office have been at great disadvantage.
My journey started with the understanding that poor parents share the universal desire for education for their children. No family in our experience has ever turned down educational support for their daughter.
Holiness is not some lofty experience, unattainable except to those who can leap the stars, but it is rather a lowly experience, which lowly people in the lowly walks of life can share with Jesus, by letting His mind be in them.
The Vietnam War totally turned my life around. Some people's lives were eliminated or destroyed by the experience. I was one of the fortunate few who came out better off.
The experience we all share and the outcomes, which have been remarkable in a way I never could have predicted. Taking unmotivated people - maybe marginally motivated to get on TV and make money - and ending up with a group that values and is changed by the treatment process and wants to share it with other people.
When you assume responsibility for what you experience and share what you experience in a spirit of companionship, that is the same as forgiveness. When you hold someone responsible for what you experience, you lose power.
That is a horrible thing in a way, but it is the one thing poets can bring back to experience, this intense focus on language, which activates words as a portal back into experience. It's a mysterious process that's very hard to articulate, because it's focused entirely on the material of language in a way, but in the interests not just of language itself whatever that would mean - that's the mistake, by the way, that so many so-called "experimental" poets make - but in service to human experience.
"Diamonds & Rust" started off as another song. Then the words started to morph. When you write a song that deep, the words come from some place else. But when the songs stop coming, it would be so contrived to try and force it. Since then I've just been doing other people's music.
I was far too embarrassed to share the experience of Indian food at school. As a kid, you're desperate to fit in, to assimilate in some way, and everything about me stood out.
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