A Quote by Edith Widder
This is part of what's driving me, is this feeling like there's so much yet to be discovered in the oceans, and we're destroying it before we even know what's in it.
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Have we even so much as discovered and settled the shores? Let a man travel on foot along the coastand tell me if it looks like a discovered and settled country, and not rather, for the most part, like a desolate island, and No-Man's Land.
I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you.
You know what I am." The words breathed out in an auguished whisper. "I'm part demon, Clary. Part demon. You understood that much, didn't you?" His eyes bored into her like drills. "You saw what Valentine was trying to do. He used demon blood-used it on me before I was even born. I'm part monster. Part everthing I've tried so hard to burn out, to destroy.
The part of the process that's exciting to me is feeling like I'm in a place I've never been before, in every way. Without that, I don't know if I'd be a writer.
These days, it's more like me coming from playing a show and feeling the high from all the energies directed at me, to feeling a bit weird when I go home to the place where people know me from before all that.
I came rather late to film. I've done an awful lot of theater before - before I discovered the camera, you know, seeing everything, requiring much less acting and - and much less presentation, much less projecting, more just being.
For me, the driving force is the audience, and the day that stops, I will stop doing films. The day a part of me stops feeling like putting a smile on someone else's face or if I feel like I don't want to entertain anymore, then I will pack up and leave.
[I]t just makes me tired even thinking about it. It reminds me of that feeling I had before I left. Like my lungs were made of lead. Like I can't even think about starting to care about anything. Like I either wish that they were all dead, or I was, because I can't stand the pull of all that history between us. That's before I even pick up the phone. I'm so tired I never want to wake up again. But I've figured out now that it was never them that made me feel that way. It was just me, all along.
When something is discovered by people in movie theaters, it's discovered by people who are all together, and there's a sort of feeling of an event about it. And when it's on video, it's like something is being discovered in the library or something. It's like having a second life in public libraries. It's just like individuals, and it's less of a... We can't participate in it the same way.
It's funny to be discovered by a lot of people who didn't know you before. People always used to say, 'Do you shop at Home Depot?' or 'Does your kid go to such and such school?' They want to know why they know me, even if they don't know my name. I don't think that's a bad thing, by the way; I think it's nice to be kind of anonymously famous.
It hurts more than anything in the world because even though it might not be the case, it feels like you've chosen your child over me. 'I haven't there is no choice. She's part of me. You're part of me too. It's like...I don't know...asking me to pick between my heart and my lungs.' 'I know, but the thing is, you are my heart and my lungs. You're everything to me. And what hurts is that I know i used to be everything to you.
I don't know if anyone's ever told you this", he begins. He doesn't blush, and his eyes don't dart away. Instead I find myself starring into a pair of oceans - one perfect, the other blemished by that tiny ripple. "You're very attractive." I've been complimented on my appearance before. But never in his tone of voice. Of all the things he's said, I don't know why this catches me off guard. But it startles me so much that without thinking I blurt out, "I could say the same about you." I pause. "In case you didn't know." A slow grin spreads across his face. "Oh, trust me. I know.
Getting on the road and driving along a road at night, or even in the daytime and seeing the oceans or whatever, is always liberating.
I'll never approach a part in the same way again. Piaf taught me so much. In terms of my work, I think I'll enjoy it even more than before, because now I know that characters truly exist in their own right. I'll have a way to bring them even more intensely to life.
But part of the enjoyment I take in it is finding the most efficient way to do it, which doesn't mean the corrections aren't made. I like to have a feeling of the whole task before I start, even if it changes.
It wasn't so much destroying my dancing, it was destroying me
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