A Quote by Edmund Burke
The worthy gentleman who has been snatched from us at the moment of the election, and in the middle of the contest, whilst his desires were as warm and his hopes as eager as ours, has feelingly told us what shadows we are, and what shadows we pursue.
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We sometimes feel the shadows have got hold of us, the shadows of evil. But still, it's up to us to fight.
Below us the Thames grew lighter, and all around below were the shadows - the dark shadows of buildings and bridges that formed the base of this dreadful masterpiece.
I have been told I've got a darkish personality. A few times." Takahashi swings his trombone case from his right shoulder to his left. Then he says, "It's not as if our lives are divided simply into light and dark. There's shadowy middle ground. Recognizing and understanding the shadows is what a healthy intelligence does. And to acquire a healthy intelligence takes a certain amount of time and effort. I don't think you have a particularly dark character.
The Stormlight rising from his exposed skin was enough to illuminate the chasm, and it cast shadows on the walls as he ran. Those seemed to become figures, crafted by the bones and branches stretching from the heaps on the ground. Bodies and souls. His movement made the shadows twist, as if turning to regard him.
Our sins, when laid upon Christ, were yet personally ours, not his; so his righteousness, when put upon us, is yet personally his, not ours.
Illusions are shadows moving endlessly across the ground. The shadows are quite real but they're shadows. They have very little substance.
Men throw huge shadows on the lawn, don't they? Then, all their lives, they try to run to fit the shadows. But the shadows are always longer.
Let us fill a cup and drink to that most noble, ridiculous, laughable, sublime figure in our lives... The Young Man Who Was. Let us drink to his dreams, for they were rainbow-colored; to his appetites, for they were strong; to his blunders, for they were huge; to his pains for they were sharp; to his time for it was brief; and to his end, for it was to become one of us.
...I don't understand this gap you see between us, but can't you meet me somewhere in the middle?" "The middle of what?" "I don't know, the middle of tomorrow and forever, the middle of life and death, the middle of normal and paranormal. Where we've always been." I bit my lip, nodding against his forehead. "There's a place for us there, right?" "Always." He put his lips to mine, sealing our own little spot in the world. Together.
A background can be painted in the same range of values as the foreground by reversing the light effect. In the shadow plane, paint the lights cool and the shadows warm, and in the sunlight plane, paint the lights warm and shadows cool.
Just as order gave life and beauty to the earth when it was dark and void, so it does to us. Obedience helps us develop the full potential Heavenly Father desires for us in becoming celestial beings worthy some day to live in His presence.
In these two things the greatness of man consists, to have God dwelling in us as to impart His character to us, and to have Him dwelling in us, that we recognize His presence, and know that we are His, and He is ours. The one is salvation; the other, the assurance of it.
How many of us would be able to overcome our desires and resist the temptation of sin? How many of us even lower our gaze when we look upon something that we are not supposed to? The real prisoner is the one whose heart has been kept away from remembering his Lord, and the real captive is the one who has been captivated by his whims and desires.
Valek coalesced from the shadows and wrapped me in his long lean arms. I soaked in his musky smell, listening to his heart beat. Strong and steady. No indication that he had been sneaking around.
Life is composed of lights and shadows, and we would be untruthful, insincere, and saccharine if we tried to pretend there were no shadows.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
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