You have little representation of young black men in the business sector, so you have children growing up in disadvantaged neighborhoods who don't hear discussions at the dinner table about what goes on in business. It's almost as if we have two nations.
My family was in two businesses - they were in the textile business, and they were in the candy business. The conversations around the dinner table were all about the factory floor and how many machines were running and what was happening in the business. I grew up very engaged in manufacturing and as part of a family business.
Growing up, around the dinner table my father and I didn't talk sports. We talked business.
Growing up, I saw Mum as being so celebratory of our culture. So I was surprised to hear - during discussions sparked by the Black Lives Matter protests - about the racism she experienced growing up, and the shame she once felt about being black.
I received most of my business education around the dinner table. Whether I listened to my father or brothers, or we had business people as dinner guests, I learned from everyone.
Strictly Business' is about a young black man who is learning about himself, and that applies to a lot of young black men, those who are trying to find jobs. This film gives them a good look at that situation.
'Strictly Business' is about a young black man who is learning about himself, and that applies to a lot of young black men, those who are trying to find jobs. This film gives them a good look at that situation.
I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very black. We acted black and we spoke black. When I was a kid growing up, where I came from, it was hip to be black. To be white was kind of square.
children are an embarrassment to a business civilization. A business society needs children for the same reason that a nomadic or a pastoral society needs them - to perpetuate itself. Unfortunately, however, children are of no use to a business society until they have almost reached physical maturity.
Growing up, there was this explosion of B television. 'Fresh Prince of Bel Air,' you have 'Family Matters,' 'A Different World.' I had examples - of black children, black families, black women, black men - that represented who I was.
If you grow up and your mother or father is a doctor you talk about medicine at the dinner table. In our case we talked about politics at the dinner table.
The business is about coming up with a business plan and using your relationships and networking and seeing your dreams come true. Everyone on this show has their own business. Fifteen minutes of fame is fleeting. It's about learning the business and creating a new business.
Being in the space that I am as a writer, and just as a black dude in America, there's this push to be cool or be what you're expected to be. There's a need for a song that puts that in perspective. I think that's an important thing for young children to hear growing up.
Historically, hip-hop is about a generation of artists rapping about the realities they see in their neighborhoods or the 'truths' they hear growing up in their homes.
Business has to have a seat at the table. Infrastructure isn't going to be built properly if business doesn't have a seat at the table. A school is not going to happen if businesses don't work with schools about what kind of jobs they really need.
At the dinner table when I was very little, I would hear people bickering... To escape the bickering, I started modelling the soft bread with my fingers. With the dough of the French bread %u2013 sometimes it was still warm %u2013 I would make little figures. And I would line them up on the table and this was really my first sculpture.
Call on a business man only at business times, and on business; transact your business, and go about your business, in order to give him time to finish his business.