A Quote by Edmund Snow Carpenter

History is full of delightful reversals, where the opposite of what one predicts comes true. — © Edmund Snow Carpenter
History is full of delightful reversals, where the opposite of what one predicts comes true.
I think the first general point to make from epidemiological studies across millions of people is the following - that short sleep predicts a shorter life. It predicts all cause mortality.
History records endless struggles to enlarge those realms, inspiring ones; it also records painful reversals and setbacks.
Ah, Ireland... That damnable, delightful country, where everything that is right is the opposite of what it ought to be.
What they teach you as history is mythology and true mythology is far from fantasy -- it is our true history. A bulk of our real history can be found in Egyptian and Greek mythology. Yes, myths reveal to us worlds of other dimensions that make up our true reality. History books teach us that the minds of the past operated on the same frequency, dimension, or level of consciousness as we do now. Not true at all.
It feels good when guys reach out to be inspired - and you have shown people an example of how you can come back and be better than you were before when adversity strikes; and when the world predicts the opposite, you show them you not only can be successful but be great.
Vladimir Nabokov on 'Bleak House' or Henry James on 'The House of the Seven Gables' prove that reading can be an exciting subject in itself, full of passionate encounters, contradictory judgments, striking discoveries, and unexpected reversals.
Of all studies, the most delightful and the most useful is biography. The seeds of great events lie near the surface; historians delve too deep for them. No history was ever true. Lives I have read which, if they were not, had the appearance, the interest, and the utility of truth.
Islam was something like a Christian heresy. The early heresies had been full of mad reversals and evasions of the Incarnation, rescuing their Jesus from the reality of his body even at the expense of the sincerity of his soul.
Everything desires not like but unlike: for example, the dry desires the moist, the cold the hot, the bitter the sweet, the sharp the blunt, the void the full, the full the void, and so of all other things; for the opposite is the food of the opposite, whereas like receives like receives nothing from like.
I'm convinced the true history of our time isn't what we read in newspapers or books...True history is almost invisible. It flows like an underground spring. It takes place in the shadows, and in silence, George. And only a chosen few know what that history is.
And Venus must be hot if the history of the solar system is not the history of no change for billions of years. And Venus was found hot, not room temperature as was thought until 1959. In 1961 it was detected with radio means that it is like something like 600 Farenheit and Mariner 2 was sent out to find out true or not true? It was found that even more it is full 800 [degrees Farenheit].
I am now experiencing perfect health, abundant prosperity and complete and utter happiness. This is true because the world is full of charming people who now lovingly help me in every way. I am now coming into an innumerable company of angels. I am now living a delightful, interesting and satisfying life of the most widely useful kind. Because of my own increased health, wealth and happiness, I am now able to help others live a delightful, interesting and satisfying life of the most widely useful kind, my good - our good - is universal.
The history of drawing is a history of 'realities'. Every age has its own conceptions, held to be true at that time, believed to be true for all times.
The old saying, 'An army marches on its stomach' has never been more true than in film and television. If it's good, cheerful, and exciting and full of great yummy things, then everyone does really well. If it's the opposite, it's very disappointing.
I think the reason the stories are briskly paced, when they are, is that I like story. I like stories where things happen and there are surprises and reversals, in addition to vivid characters and a memorable voice. So those are the kinds of stories I try to write. And it turns out that's pretty much the only kind of writing that works for TV. It's a medium that just devours story, demands surprises and reversals. So my sensibility is suited to TV storytelling, at least as we think of it today.
The merit of Marx is that he suddenly produces a qualitative change in the history of social thought. He interprets history, understands its dynamic, predicts the future, but in addition to predicting it (which would satisfy his scientific obligation), he expresses a revolutionary concept: the world must not only be interpreted, it must be transformed. Man ceases to be the slave and tool of his environment and converts himself into the architect of his own destiny.
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