A Quote by Edmund Spenser
Much can they praise the trees so straight and high, The sailing pine,the cedar proud and tall, The vine-prop elm, the poplar never dry, The builder oak, sole king of forests all, The aspin good for staves, the cypress funeral, The laurel, meed of mighty conquerors And poets sage, the fir that weepest still, The yew obedient to the bender's will, The birch for shafts, the sallow for the mill, The myrrh sweet-bleeding in the bitter wound, The warlike beech, the ash for nothing ill, The fruitful olive, and the platane round, The carver holm, the maple seldom inward sound.
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I remember a hundred lovely lakes, and recall the fragrant breath of pine and fir and cedar and poplar trees. The trail has strung upon it, as upon a thread of silk, opalescent dawns and saffron sunsets.
The oak has not the efficacy of the fir, nor the cypress that of the elm.
The oak roars when a high wind wrestles with it; the beech shrieks; the elm sends forth a long, deep groan; the ash pours out moans of thrilling anguish.
We saw the strong trees struggle and their plumes do down, The poplar bend and whip back till it split to fall, The elm tear up at the root and topple like a crown, The pine crack at the base - we had to watch them all. The ash, the lovely cedar. We had to watch them fall. They went so softly under the loud flails of air, Before that fury they went down like feathers, With all the hundred springs that flowered in their hair, and all the years, endured in all the weathers - To fall as if they were nothing, as if they were feathers.
In Paul Friedrich's book Proto-Indo-European Trees he identifies the "semantic primitives" of the Indo-European tribe of languages through a group of words that have not changed much through twelve thousand years - and those are tree names: especially birch, willow, adler, elm, ash, apple and beech (bher, wyt, alysos, ulmo, os, abul, bhago). Seed syllables, bija, of the life of the west.
Sweet is the rose, but grows upon a brere;
Sweet is the juniper, but sharp his bough;
Sweet is the eglantine, but stiketh nere;
Sweet is the firbloome, but its braunches rough;
Sweet is the cypress, but its rynd is tough;
Sweet is the nut, but bitter is his pill;
Sweet is the broome-flowre, but yet sowre enough;
And sweet is moly, but his root is ill.
I remember a hundred lovely lakes, and recall the fragrant breath of pine and fir and cedar and poplar trees. The trail has strung upon it, as upon a thread of silk, opalescent dawns and saffron sunsets. It has given me blessed release from care and worry and the troubled thinking of our modern day. It has been a return to the primitive and the peaceful. Whenever the pressure of our complex city life thins my blood and benumbs my brain, I seek relief in the trail; and when I hear the coyote wailing to the yellow dawn, my cares fall from me - I am happy.
I do not expect anyone will ever have the opportunity of constructing another course like Cypress Point, as I do not suppose anywhere in the world is there such a glorious combination of rocky coast, sand dunes, pine woods and cypress trees.
Nature never set forth the earth in so rich tapestry as divers poets have done; neither with pleasant rivers, fruitful trees, sweet-smelling flowers, nor whatsoever else may make the too-much-loved earth more lovely; her world is brazen, the poets only deliver a golden.
The ideal job letter starts with a brilliant light. Then we realize that this brilliant light is actually sunlight, shafts of it, pouring through trees onto a thick bed of pine needles. Soft dusty resin floats in the sun shafts, invitingly. The smell of pine and sap rises from the forest floor. A twig snaps underfoot.
The winter oak... is very useful in buildings but when in a moist place it takes in water to its centre... and so it rots. The Turkey oak and the beech both... take in moisture to their centre and soon decay. White and black poplar, as well as willow, linden, and the agnus castus... are of great service from their stiffness... they are a convenient material to use in carving.
Never did tombs look so ghastly white. Never did cypress, or yew, or juniper so seem the embodiment of funeral gloom. Never did tree or grass wave or rustle so ominously. Never did bough creak so mysteriously, and never did the far-away howling of dogs send such a woeful presage through the night.
There is a hill beside the silver Thames, Shady with birch and beech and odorous pine; And brilliant underfoot with thousand gems, Steeply the thickets to his floods decline.
Cedar, and pine, and fir, and branching palm, A sylvan scene, and as the ranks ascend Shade above shade, a woody theatre Of stateliest view.
Around in silent grandeur stood The stately children of the wood; Maple and elm and towering pine Mantled in folds of dark woodbine.
The olive branch has been consecrated to peace, palm branches to victory, the laurel to conquest and poetry, the myrtle to love and pleasure, the cypress to mourning, and the willow to despondency.
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