A Quote by Edmund Spenser

Lastly came Winter cloathed all in frize, Chattering his teeth for cold that did him chill; Whilst on his hoary beard his breath did freese, And the dull drops, that from his purpled bill As from a limebeck did adown distill: In his right hand a tipped staffe he held, With which his feeble steps he stayed still; For he was faint with cold, and weak with eld; That scarce his loosed limbes he hable was to weld.
Socrates was the chief saint of the Stoics throughout their history ; his attitude at the time of his trial, his refusal to escape, his calmness in the face of death , and his contention that the perpetrator of injustice injures himself more than his victim, all fitted in perfectly with Stoic teaching. So did his indifference to heat and cold, his plainness in matters of food and dress, and his complete independence of all bodily comforts.
The kiss began much the same as usual--Edward was as careful as ever, and my heart began to overreact like it always did. And then something seemed to change. Suddenly his lips became much more urgent, his free hand twisted into my hair and held my face securely to his. And though I was clearly beginning to cross his cautious lines, for once he didn't stop me. His body was cold through the thin quilt, but I crushed myself against him eagerly.
Amid the worry of a self- condemnatory soliloquy, his demeanour seemed grave, perhaps cold, both to me and his mother. And yet there was no bad feeling, no malice, no rancour, no littleness in his countenance, beautiful with a man's best beauty, even in its depression. When I placed his chair at the table, which I hastened to do, anticipating the servant, and when I handed him his tea, which I did with trembling care, he said: "Thank you, Lucy," in as kindly a tone of his full pleasant voice as ever my ear welcomed.
His head was swimming, and he was far from certain even of the direction they had been going in when he had his fall. He guessed as well as he could, and crawled along for a good way, till suddenly his hand met what felt like a tiny ring of cold metal lying on the floor of the tunnel. It was a turning point in his career, but he did not know it. He put the ring in his pocket almost without thinking; certainly it did not seem of any particular use at the moment.
Maradona, if the ball came from his right, he would turn and would use his left foot, because he did not use his right. But he did use his right hand.
God took Eve from the side of Adam, not from his foot to be his menial or slave or servant, not from his head to be his mental superior, and did take him from that which is nearest his heart, that he might love her, and that which is under his arm, that he might protect her.
The editor sat in his sanctum, his countenance furrowed with care, His mind at the bottom of business, his feet at the top of a chair, His chair-arm an elbow supporting, his right hand upholding his head, His eyes on his dusty old table, with different documents spread.
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
At that instant he knew that all his doubts, even the impossibility of believing with his reason, of which he was aware in himself, did not in the least hinder his turning to God. All of that now floated out of his soul like dust. To whom was he to turn if not to Him in whose hands he felt himself, his soul, and his love?
No man of honor, as the word is usually understood, did ever pretend that his honor obliged him to be chaste or temperate, to pay his creditors, to be useful to his country, to do good to mankind, to endeavor to be wise or learned, to regard his word, his promise, or his oath.
In my Pantheon, Pan still reigns in his pristine glory, with his ruddy face, his flowing beard, and his shaggy body, his pipe and his crook, his nymph Echo, and his chosen daughter Iambe; for the great god Pan is not dead, as was rumored. No god ever dies. Perhaps of all the gods of New England and of ancient Greece, I am most constant at his shrine.
When Eleanor's arm touched his he felt his hands grow cold with deadly fear lest he should lose the shadow brush with which his imagination was painting wonders of her. He watched her from the corners of his eyes as ever he did when he walked with her-- she was a feast and a folly and he wished it had been his destiny to sit forever on a haystack and see life through her green eyes.
Did any man at his death ever regret his conflicts with himself, his victories over appetite, his scorn of impure pleasure, or his sufferings for righteousness' sake?
Anecdote: In a controversial way, Comedian and actor Bill Cosby sought to teach his son the pain of being lied to. Convinced his son had been dishonest regarding an issue, Cosby promised that if he told him the truth, he would not hit him. When his son did confess, Cosby did hit him. Seeing his son's shock and hurt, Cosby said he hoped this lesson had deepened his understanding of the anguish generated by a sense betrayal.
A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which.
He was decisive and wholehearted in everything he did, so intent on the task at hand that he never looked over his shoulder, even if his cloak got caught in a thorny bush. When he did turn to speak to somebody, he used to swing his entire body and address him full face. When he shook hands, he was never the first to withdraw his own. He inspired such confidence that he was known as al-Amin, the Reliable One.
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