Mention Hubert Sumlin, as well, because Hubert's a great man, and again, you know, I don't play the guitar very good, but when I'm playing this kind of music, I always have him in my mind. I wish I could play like Hubert.
Once a date asked me what I do, so I said that my company empowers women in their dating lives. Her response? 'Aw, that's so cute!' Cute is how my babysitter described me when I was 7 years old. Simple fix: Replace cute with hot and he'll feel like James Bond.
ACT UP was trying to explain to Americans that AIDS could affect all of us: that health care that ended once your disease was expensive could affect more than gay men with HIV or AIDS. We were trying to tell them about the future - a future they didn't yet see and would be forced to accept if they failed to act.
That's you, right?' he asks me. 'Yeah.' 'Cute. Not that I, uh, think little kids are cute. Just that you were cute. I mean, you can see how you turned out to be so...oh.
It was quite a ride and very conflicting for me, too - to be nominated for an Oscar, to be straight and healthy, and to be getting all these accolades while these people around me were suffering and dying from AIDS.
We have hearing aids in order to fix our ears. We have lasik surgery in order to fix our eyes. People ... you can't fix stupid!
I had seen AIDS patients in India and Africa, and knowing that people were dying even though drugs existed that could help them was shattering for me.
With my first single, 'AM to PM,' I was just this cute 18-year-old. But 'cute' didn't get me older roles, and 'cute' wasn't selling records. I wanted people to see that I'd grown up, so I did 'Dip It Low.'
In the earliest years of the AIDS crisis, there were many gay men who were unable to come out about the fact that their lovers were ill, A, and then dead, B. They were unable to get access to the hospital to see their lover, unable to call their parents and say, 'I have just lost the love of my life.'
The difficult notes are when they say, "And this is how we want you to fix it . . ." Just tell me what the problem is. Just tell me what the issue is, and I'll go off an fix it. It's usually when executives get to a place where they're trying to fix the problem for you that you have issues
AIDS was something that was put upon us [as haitians], and we were immediately identified with it. That is unfair. That is unjust. I always say, "We are all people living with AIDS." It's not like you can avoid it. It's part of our world.
It is significant that one says book lover and music lover and art lover but not record lover or CD lover or, conversely, text lover.
There in front of me was the Senator on the floor being held by the busboy. There was nobody else around, and I made my first frame, and I forgot to focus the camera. The second frame was a little more in focus... then just for a second, while everything was open, the busboy looked up, and he had this look in his eye. I made that picture, and then suddenly the whole situation closed in again. And it became bedlam.(On the 1968 shooting of U.S. presidential candidate Bobby Kennedy.)
I'm much better known in France and Germany and Spain than I am in the U.S. When I go to Russia, I get mobbed; I have groups of fans waiting for me out in the hotel lobby, waiting for me to come down off the elevator. In China, I almost got beat up because people were trying to get me to do a drawing for them.
We have picked up people full of worms from the streets, cared for them and let them die in peace and love. When they are brought to our home, they feel they are in their own homes, with their own families. Now, I am trying to open a house for AIDS victims here (in Delhi). The people are dying because of it.
I played a practice round with Hubert [Green] the other day, and when we got to the ninth green, I heard a fan say, "Why does Hubert have two caddies?"