A Quote by Edmund Wilson

It is certainly very hard to write about sex in English without making it unattractive. — © Edmund Wilson
It is certainly very hard to write about sex in English without making it unattractive.
Sex is hard to write about because you lose the universal and succumb to the particular. We all have our different favorites. Good sex is impossible to write about. Lawrence and Updike have given it their all, and the result is still uneasy and unsure. It may be that good sex is something fiction just can't do - like dreams. Most of the sex in my novels is absolutely disastrous. Sex can be funny, but not very sexy.
Film and TV is a very hard profession to enter into if you don't have the ability to take a long period of time without making money so you can write, direct or raise financing, or work your way up, often with unpaid internships. It's hard to get into without a lot of connections. You end up with a lot of white people from privilege making films. So we're seeing a lot of the same kinds of stories.
There's nothing attractive about doing a documentary. Nothing. It's hard, hard work, and I find having all the attention of the day on me a very unattractive proposition.
Sex is. There is nothing more to be done about it. Sex builds no roads, writes no novels and sex certainly gives no meaning to anything in life but itself.
I don't write about sex because it's not really my subject. I love it when other people write about it, but it's not my subject, and I don't want anyone I've had sex with to write about it. Plus, you're in front of an audience, and they picture wherever you're writing about. I'm 52; no one in the audience wants to picture that.
Sex is difficult to write about because it's just not sexy enough. The only way to write about it is not to write much. Let the reader bring his own sexuality into the text. A writer I usually admire has written about sex in the most off-putting way. There is just too much information.
But certainly in Uganda, Mozambique and South Africa, people don't really talk about sex and certainly religious leaders - some of them - up to now have been very unwilling to accept, for instance, the promotion of condom use
I learned to think about religion, race and sex through the complex and often unattractive medium of jokes.
It's hard to write sex because it's hard to write desire, period.
I am a bit prudish, I think. It's hard for me to write about sex, and I don't really care to read about it, either.
I can't imagine otherwise - I guess Virginia Woolf could write wonderful novels where the women never have sex, and her novels work. But for me, I don't think I could write a plot without sex happening somewhere.
When I first started writing, there was no way I'd write a sex scene. That just seemed impossible. That's why in "Fight Club" all the sex happens off-screen. It's all just a noise on the other side of the wall or the ceiling. I just couldn't bring to write in a scene like that. So one of the challenges with "Choke" was I wanted to write sex scenes until I was really comfortable just writing them in a very mechanical way.
The arrival of Arsene Wenger in 1996 certainly heralded a change in English football. He was very successful very quickly, and suddenly, all the talk was about his revolutionary new training methods.
It's hard to get yourself into a position where someone will trust you to direct a film anyway, whatever sex you are. Certainly in England, the film set is a very male preserve. There's a lot of very rough looking men pushing equipment around that don't want the gaffer to be a girl.
Simplicity is not about making something without ornament, but rather about making something very complex, then slicing elements away, until you reveal the very essence.
A lot of country making films in English, but in Japan we are very shy to speak English.
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