A Quote by Edmund Wilson

The cruelest thing that has happened to Lincoln since he was shot by Booth was to fall into the hands of Carl Sandburg. — © Edmund Wilson
The cruelest thing that has happened to Lincoln since he was shot by Booth was to fall into the hands of Carl Sandburg.
The worst thing to happen to Lincoln - aside from the unfortunate incident at Ford's theatre - was to fall into the hands of Carl Sandburg.
As a schoolboy, I read most of Carl Sandburg's six-volume biography of Abraham Lincoln.
When I was in college, I did do some writing of poetry, somewhat inspired, I think at that time, by Carl Sandburg, because English was still relatively new to me, and Sandburg, of course, wrote in a very easy-to-understand, very colloquial and informal manner.
Killing Lincoln is a must-read historical thriller. Bill O'Reilly recounts the dramatic events of the spring of 1865 with such exhilarating immediacy that you will feel like you are walking the streets of Washington DC on the night that John Wilkes Booth shot Abraham Lincoln. This is a hugely entertaining, heart-stopping read.
The first thing I did on television was a PBS thing where I played a priest. It was a Walt Whitman or Carl Sandburg story - I can't quite remember - but I was a turn-of-the-20th-century priest kind of guy. Never saw it; don't know if I was any good or not.
The American mind, unlike the English, is not formed by books, but, as Carl Sandburg once said to me, by newspapers and the Bible.
The American mind, unlike the English, is not formed by books, but, as Carl Sandburg once said to me... by newspapers and the Bible.
I heard someone say he [Carl Sandburg] was the kind of writer who had everything to gain and nothing to lose by being translated into another language.
It is one thing to fall victim to the flood or to fall prey to cancer; it is another thing to fall into the hands of the living God.
My chief literary influences have been Paul Laurence Dunbar, Carl Sandburg, and Walt Whitman. My favorite public figures include Jimmy Durante, Marlene Dietrich, Mary McLeod Bethune, Mrs. Franklin D. Roosevelt, Marian Anderson, and Henry Armstrong.
I was reading Carl Sandburg and Gwendolyn Brooks, and I'm still very, very deeply moved by Gwendolyn Brooks's life and her work.
George Saunders's 'Lincoln in the Bardo' is a hands-down masterpiece - the subject of Abraham Lincoln and the genius of this author is a perfect union.
I did Phone Booth, and that was shot very, very quickly, but that was Joel Schumacher, who's shot so many movies that, if anybody can figure out how to do it in a couple of days, it's him.
My prose style at this time was a stomach-twisting blend of the Bible, Carl Sandburg, H.L. Mencken, Jeffrey Farnol, Christopher Morley, Samuel Pepys, and Franklin Pierce Adams imitating Samuel Pepys. I was quite apt to throw in a "bless the mark" at any spot, and to begin a sentence with "Lord" comma.
Until the early 90s, when I was working on a project about the idea of free will in American philosophy. I knew that Lincoln had had something to say about "necessity" and "fatalism," and so I began writing him into the book. In fact, Lincoln took over. I wrote instead 'Abraham Lincoln: Redeemer President,' in 1999, and I've splitting rails with Mr. Lincoln ever since. If there's a twelve-step process for this somewhere, I haven't found it yet.
If I could be any famous person, I'd be John Wilkes Booth, because I'd love to shoot Abraham Lincoln in the face
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