A Quote by Edmundo Desnoes

The Latin American photographer has the possibility, and the means, for naming the things of our world, for demonstrating that there is another kind of beauty, that the faces of the First World are not the only ones. These Indian, black, plundered white and mestizo faces are the first element defining the demographic content of our photography.
I prefer black and white and portrait photography. I like old, you know, interesting faces, so I think black and white brings out the contrast.
We women ought to put first things first. Why should we mind if men have their faces on the money, as long as we get our hands on it?
The first thing that always pops into my head regarding our president, is that all of the people who are setting up this barrier for him... They just conveniently forget that Barack had a mama, and she was white - very white; American, Kansas, middle of America. There is no argument about who he is, or what he is. America's first black president hasn't arisen yet. He's not America's first black president. He's America's first mixed-race president.
The power of youth is the common wealth for the entire world. The faces of young people are the faces of our past, our present and our future. No segment in the society can match with the power, idealism, enthusiasm and courage of the young people.
Photography at first was asked to do nothing but embalm our best smiles for the benefit of our friends and our best clothes for the amusement of posterity. Neither thing lasts, and photography came as a welcome salve to keep those precious, if slightly ridiculous, things a little longer in the world.
The [next] priority for change the first element of a new politics for the United States is in our policy toward the world. Too much and for too long, we have acted as if our great military might and wealth could bring about an American solution to every world problem.
I am so used to having two faces. A face that I had for black America and a face for white America. When Obama became president, I lost both faces. Now I only have one face.
To us, the difference between the #? photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from #? photography as document. But both are logical extensions of what photography means: note-taking on, potentially, everything in the world, from every possible angle.
Other people have faces; Susan and Jinny have faces; they are here. Their world is the real world. The things they lift are heavy. They say Yes, they say No; whereas I shift and change and am seen through in a second. If they meet a housemaid she looks at them without laughing. But she laughs at me. They know what to say if spoken to. They laugh really; they get angry really; while I have to look first and do what other people do when they have done it.
You know Latin people? African-American people? How our skin ages more slowly? Even though we're dramatic, we move our faces, we eat higher-fat foods, we're the ones with fewer wrinkles - it makes you wonder.
We did not know there were other people besides the Indian until about one hundred winters ago, when some men with white faces came to our country.
Since that first showing of Foolish Wives I have seemed to walk through vast crowds of people, their white American faces turned towards me in stern reproof.
I am passionate about informing the world about our ocean - its complexity and beauty, its value to us, and the perils that it faces.
What America first means is we put the national interests of the United States and the well-being of our own country and our own people first. Our foreign policy, first and foremost, should be focused on the defense of American freedom, security and rights.
Why do I write today? The beauty of the terrible faces of our nonentities stirs me to it: colored women day workers- old and experienced- returning home at dusk, in cast off clothing faces like old Florentine oak.
I became interested in photography during my first visit to the United States. I was a student at a university in Holland. I was overwhelmed by the beauty of the American West. That was when I learned about the tradition of nature in American photography.
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