A Quote by Edna Ferber

I think that in order to write really well and convincingly, one must be somewhat poisoned by emotion. — © Edna Ferber
I think that in order to write really well and convincingly, one must be somewhat poisoned by emotion.
I think in order to write really well and convincingly, one must be somewhat poisoned by emotion, dislike, displeasure, resentment, fault-finding, imagination, passionate remonstrance, a sense of injustice-they all make fine fuel.
To write convincingly, I think you must be able to relate, in some way, to what a character is experiencing.
It is a principle of diplomacy that one must know something of the truth in order to lie convincingly.
The two important facts I should say, are emotion, and then words arising from emotion. I don't think you can write in an emotionless way. If you attempt it, the result is artificial. I don't like that kind of writing. I think that if a poem is really great, you should think of it as having written itself despite the author. It should flow.
In order to be able to write well upon a subject, one must have ceased to be interested in it; the thought which is to be soberlyexpressed must already be entirely past and no longer be one's actual concern.
I really put a lot of and emotion into my project in order to evoke emotion.
Thoughts are created in the act of writing. [It is a myth that] you must have something to say in order to write. Reality: You often need to write in order to have anything to say. Thought comes with writing, and writing may never come if it is postponed until we are satisfied that we have something to say...The assertion of write first, see what you had to say later applies to all manifestations of written language, to letters...as well as to diaries and journals
I try to write every day. Sometimes the things come out well, and sometimes they don't. When they come out well you think, Wow, I must be really great; and when they come out poorly, you think you must be terrible, but the truth is that's how any process works.
I think all characters are facets of the writer. In a way, they have to be if you're going to write them convincingly.
When talented people write badly, it's generally for one of two reasons: Either they're blinded by an idea they feel compelled to prove of they're driven by an emotion they must express. When talented people write well, it is generally for this reason: They're moved by a desire to touch the audience.
I don't think a white person can write accurately and convincingly about what black people experience of oppression.
From the first I became convinced that what I must look for was lead dust and lead fumes, that men were poisoned by breathing poisoned air, not by handling their food with unwashed hands.
Nay, Sir, those who write in them, write well, in order to be paid well.
Structure that really pays off is all based on emotion. I don't write down an elaborate plan. It's really done by feel. It's one area of my writing that I think I've got surer at as I've evolved.
If you ant to feel deeply, you have to think deeply. Too often we separate the two. We assume that if we want to feel deeply, then we need to sit around and, well, feel. But emotion built on emotion is empty. True emotion- emotion that is reliable and does not lead us astray- is always a response to reality, to truth.
In order to act, you must be somewhat insane. A reasonably sensible man is satisfied with thinking.
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