A Quote by Edna Ferber
All the difference in the world between the movies and the thrill I get out of a play at the theater. Ay, yes! Like fooling around with paper dolls when you could be playing with a real live baby.
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Through their play Barbara imagined their lives as adults. They used the dolls to reflect the adult world around them. They would sit and carry on conversations, making the dolls real people.
I used to love playing paper dolls with my mother - she would cut them out and I would dress the dolls.
I always think that the difference between film and theater is like the difference between masturbation and making love. Because, in film, you just have to get one moment right; you're practically by yourself. And in theater, you actually have to have a relationship with the audience.
When I go home, I play with my baby dolls and strollers and stuffed animals, pretend like they're real dogs.
Pen-and-paper role-playing is live theater and computer games are television. People want the convenience and instant gratification of turning on the TV rather than getting dressed up and going out to see a live play. In the same way, the computer is a more immediately accessible way to play games.
I like working fast, but I got to the age where the real difference between television and the movies is, I'm not smart enough to be in the movies. It's a very political world. In all modesty, I can say that I'm a much better actor, but that doesn't matter.
Good live theater disturbs molecules. You create an energy source around yourself and it alternates between you and the audience. Anybody who sees live theater should come out a little rearranged.
I loved my baby dolls when I was a kid. I used to pray with them and say good night to each and every one of them because I didn't want their feelings to get hurt. I remember having that connection with my baby dolls.
..the real world's all we've got. Believers in the supernatural claim to have special wisdom about the world. But real wisdom means knowing truth from falsehood, knowing the difference between evidence and wishful thinking. Yes, the real world is mysterious and sometimes frightening. But would the supernatural make it better? The real world has beauty, poetry, love and the joy of honest discovery. Isn't that enough?
People have a different idea of how movies are made than they really are. On a certain level, everyone throws ideas into the hopper. It's not like the actors are wind-up dolls that you push out onto the floor, play with, then put back in the box. You get people around you who you trust; the writer, the producer, the director and all the actors all contribute.
People predicted in the 1910s that live theater was going to be all gone and that we'd just be watching movies. No, live theater is still around, because it does things that are specific to it.
A child playing with dolls may shed heartfelt tears when his bundle of rags and scraps becomes deathly ill and dies ... So we may come to an understanding of language as playing with dolls: in language, scraps of sound are used to make dolls and replace all the things in the world.
The greatest thrill is that moment when a thousand people are sitting in the dark, looking at the same scene, and they are all apprehending something that has not been spoken. That's the thrill of it, the miracle - that's what holds us to movies forever. It's what we wish we could do in real life.
I had a huge interior world as a kid: I'd sit on endless wet holidays in Cornwall playing with paper dolls.
Little children play with dolls in the outer room just as they like, without any care of fear or restraint; but as soon as their mother comes in, they throw aside their dolls and run to her crying, "Mamma, mamma." You too, are now playing in this material world, infatuated with the dolls of wealth, honour, fame, etc., If however, you once see your Divine Mother, you will not afterwards find pleasure in all these. Throwing them all aside, you will run to her.
Yeah, you know, there's a difference between the textbook world that economists like to imagine, and the real world where real people have real feelings.
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