A Quote by Edna St. Vincent Millay
A person who publishes a book willfully appears before the populace with his pants down. If it is a good book nothing can hurt him. If it is a bad book nothing can help him.
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A person who publishes a book appears willfully in public eye with his pants down.
My quarrel with him is, that his works contain nothing worth quoting; and a book that furnishes no quotations, is me judice, no book,—it is a plaything.
You want to give him the book of his own life, the book that will locate him, parent him, arm him for the changes.
Nothing shakes my opinion of a book. Nothing -- nothing. Only perhaps if it's the book of a young person -- or of a friend -- no, even so, I think myself infallible.
My husband, William Sutcliffe, the writer, is my first reader and in many ways my most important. That initial reading of the manuscript is crucial and irreplaceable and you want them to approach it as someone in a bookshop might, not knowing much about it. So I've got into this pattern of not telling Will anything about the book I'm working on. He often knows nothing about the book I'm working on at all until I give him the whole manuscript and ask him to read it. The book I'm working on at the moment he knows nothing about. No one does.
You take a book, and what can you do with a book? Can you cook an egg on a book? No. Can you dig a hole? No. Is it a good weapon? No. The fact that it's good for nothing kind of makes it almost all-important.
The Bible defines almost nothing because it isn't a book for scholars and philosophers or free thinkers. It's a book for people who want help. It's primarily a book for pastors. They're the ones that can use it in a way so that it actually achieves its purpose.
The only difference between a good writer who publishes a book and a good writer who doesn't is that the writer who publishes actually finished her book.
I am always for getting a boy forward in his learning, for that is sure good. I would let him at first read any English book which happens to engage his attention; because you have done a great deal when you have brought him to have entertainment from a book. He'll get better books afterwards.
I have a passionate desire for personal privacy. I want to stand before the world, for good or bad, on the book I wrote, not on what I say in letters to friends, not on my husband and my home life, the way I dress, my likes and dislikes, et cetera. My book belongs to anyone who has the price, but nothing of me belongs to the public.
If you buy a book on golf instruction buy the thinnest book you can find. The thinner the book, chances are the easier and more elementary the instruction. It can do one of two things: help you more or hurt you less. Both are good compared to the alternative.
When television is good, nothing - not the theater, not the magazines or newspapers - nothing is better. But when television is bad, nothing is worse. I invite each of you to sit down in front of your television set when your station goes on the air and stay there for a day without a book, without a magazine, without a newspaper, without a profit and loss sheet or a rating book to distract you. Keep your eyes glued to that set until the station signs off. I can assure you that what you will observe is a vast wasteland.
When a writer declares that his first book is his best, that is bad. I progress successively from book to book.
Finding yourself in a hole, at the bottom of a hole, in almost total solitude, and discovering that only writing can save you. To be without the slightest subject for a book, the slightest idea for a book, is to find yourself, once again, before a book. A vast emptiness. A possible book. Before nothing. Before something like living, naked writing, like something terrible, terrible to overcome.
"The best is oftentimes the enemy of the good;" and without claiming for an instant that title of good for my book, I do not doubt that many a good book has remained unwritten, or, perhaps, being written, has remained unpublished, because there floated before the mind's eye of the author, or possible author, the ideal of a better or a best, which has put him out of all conceit with his good.
I have always thought, the secret purpose of the book tour is to make the writer hate the book he's written. And, as a result, drive him to write another book.
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