A Quote by Ednita Nazario

I had never auditioned for Broadway - any play - and I was not familiar with what you're supposed to do — © Ednita Nazario
I had never auditioned for Broadway - any play - and I was not familiar with what you're supposed to do
I had never auditioned for Broadway - any play - and I was not familiar with what you're supposed to do.
The only thing I have never done is a Broadway play. I'm not sure I have the discipline necessary to do a Broadway play. I know it holds a fascination for certain actors.
If, for instance, we'd made the film after the show had been to Broadway, it would have been exactly the same film but we would have been assured that they would have understood it. We didn't have to do any alterations for Broadway. I was supposed to go a fortnight before it opened to alter anything that was necessary and there was nothing really.
I immensely enjoy any experience directing. I've never hated it, and I've had bad experiences. At the end of the day, I just feel like I'm supposed to be on a set. I'm supposed to be working with creative people. I'm supposed to be working with actors and I'm supposed to be manning a project in this capacity. It's interesting.
No, I've never moved on with a play. I did the original 'Closer' in London but didn't transfer to the West End or Broadway with it. The same is true of 'Iceman': I didn't go to the Old Vic or Broadway with that. I don't know; I feel an allegiance often to the play where you do it first, in the theatre that it's in; you do it for that space.
I had auditioned for 'The Vampire Diaries' years ago before 'The Originals' happened, so I was familiar with that mythology.
My early days in Broadway were all comedies. I never did a straight play on Broadway.
I never studied acting, yet the first time I auditioned and did a cold reading, I surprised everyone for my honesty and limpidity. They told me I could play any role because I have no walls, I don’t put anything between me and the character I have to play.
I was thrown into a community production of 'Bye Bye Birdie' or something when I was a kid. I wanted to just build the sets, but I wasn't allowed to just build the sets unless I auditioned for the play. So I auditioned for the play and was thrown into the chorus. During the course of that I fell in love with it, and I never really turned back.
I've been fortunate that the roles I've auditioned for, I auditioned because I felt I was the right actor to play that part.
I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
I've been asked a lot why didn't 'Ruined' go to Broadway. It was the most successful play that Manhattan Theatre Club has ever had in that particular space, and yet we couldn't find a home on Broadway.
That's always - that's been another dream of mine, to do a Broadway play. An award winning Broadway play.
I was the illegitimate child of the legitimate theater. I had no training. I came from downtown rock and roll, and when I came in and auditioned for the Broadway revival of 'Hair,' I had no eyebrows - kind of a Bowie-esque glimmer kid. And it was hard representing the flower power era when we were stone cold punks.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I've never been an actor on Broadway, but it feels like you're on a stage when you play at Yankee Stadium. And that's the feeling I've always had.
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