A Quote by Edouard Manet

There is only one true thing: Instantly paint what you see. — © Edouard Manet
There is only one true thing: Instantly paint what you see.
There is only one true thing: instantly paint what you see. When you've got it, you've got it. When you haven't, you begin again. All the rest is humbug.
No good to paint in the head - what happens is what happens when you put the paint down - you can only hope that you are alert - ready - to see. What joy it is for paint to become a thing - a being. Believe in this miracle - it is your only hope. To will this transformation is not possible. Only a slow maturation can prepare the hand and eye to become quicker than ever. Ideas about art don't matter. They collapse anyway in front of the painting.
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
There are so many good ones to paint and if you paint as well as you really can and keep out of all other things and do that, it is the true thing.
If some people really see angels where others see only empty space, let them paint the angels: only let not anybody else think they can paint an angel too, on any calculated principles of the angelic.
If only someone else could paint what I see, it would be marvellous, because then I wouldn't have to paint at all.
If only someone else could paint what I see, it would be marvellous, because then I wouldnt have to paint at all.
The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
What to do when adversity strikes? There is only one thing to do. Stand steady and see it through. Stay steadfast, constant, and true. The real tragedy in the whirlwinds of life comes only when we allow them to blow us off our true course.
Not that that mystical stuff's necessarily true: The only thing that's capital-T true is that you get to decide how you're going to try to see it.
Any magazine-cover hack can splash paint around wildly and call it a nightmare, or a witches sabbath or a portrait of the devil; but only a great painter can make such a thing really scare or ring true. That's because only a real artist knows the anatomy of the terrible, or the physiology of fear.
Traveling is the worst for skin, and it shows instantly. Once you're working non-stop, you can instantly see it.
There comes a point when the paint doesn't feel like paint. I don't know why. Some mysterious thing happens. I think you have all experienced it... What counts is that the paint should really disappear, otherwise it's craft.
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither. At every point in nature there is something to see. My work contains similar possibilities for the changing focus of the eye.
To me, then, true criticism consists in trying to find out the intrinsic worth of the thing itself, and not in attributing a quality to that thing. You attribute a quality to an environment, to an experience, only when you want to derive something from it, when you want to gain or to have power or happiness. Now this destroys true criticism. Your desire is perverted through attributing values, and therefore you cannot see clearly. Instead of trying to see the flower in its original and entire beauty, you look at it through coloured glasses, and therefore you can never see it as it is.
Paint what you feel. Paint what you see. Paint what is real to you.
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