A Quote by Edsger Dijkstra

APL is a mistake, carried through to perfection. It is the language of the future for the programming techniques of the past: it creates a new generation of coding bums. — © Edsger Dijkstra
APL is a mistake, carried through to perfection. It is the language of the future for the programming techniques of the past: it creates a new generation of coding bums.
APL is a mistake, carried through to perfection.
One of the first major programming projects that I worked on when I was growing up in Ireland, back just coding by myself, was a programming language. Then I spent a bunch of time working on a new web framer. Just back-end things to make it easier to go in and build things on top of, do other development.
Coding is the language of the future, and every girl should learn it. As I've learned from watching girls grow and learn in our classrooms, coding is fun, collaborative and creative.
It is the role of the artistic coder to question the coding languages, both through self-reflection and by using them for unintended purposes. These coders introduce multiplicity where none existed and challenge definitions of intent for the entire environment of programming language, machine and system.
The initial motive for developing APL was to provide a tool for writing and teaching. Although APL has been exploited mostly in commercial programming, I continue to believe that its most important use remains to be exploited: as a simple, precise, executable notation for the teaching of a wide range of subjects.
We're not the Faster-than-the-Speed-of-Light Generation anymore. We're not even the Next-New-Thing Generation. We're the Soon-to-Be-Obsolete Kids, and we've crowded in here to hide from the future and the past. We know what's up - the future looms straight ahead like a black wrought-iron gate and the past is charging after us like a badass Doberman, only this one doesn't have any letup in him.
I want to encourage more young women to get involved in coding, because it's important for them to be able to help shape the future, and coding is the future.
Our post-war generation were struggling to escape the past and the burden of guilt we carried and to find a new way.
Something theoretical in the past may become evident and established in the present or in the future. It is a self-evident fact that creation has an innate tendency towards perfection, and it is through this that creation is bound to the law of development or gradual perfection.
Present-moment awareness creates a gap not only in the stream of mind but also in the past-future continuum. Nothing truly new and creative can come into this world except through that gap, that clear space of infinite possibility.
To be identified with your mind is to be trapped in time: the compulsion to live almost exclusively through memory and anticipation. This creates an endless preoccupation with past and future and an unwillingness to honor and acknowledge the present moment and allow it to be. The compulsion arises because the past gives you an identity and the future holds the promise of salvation, of fulfillment in whatever form. Both are illusions.
My past seems to be way more fascinating for people than my future, which bums me out.
Computer programming has been traditionally seen as something that is beyond most people - it's only for a special group with technical expertise and experience. We have developed 'Scratch' as a new type of programming language, which is much more accessible.
Every generation thinks they are stronger than the generation before it. They think, "It can't happen to me." In the past people have died making that same mistake.
The past is an interpretation. The future is on illusion. The world does not move through time as if it were a straight line, proceeding from the past to the future. Instead, time moves through and within us, in endless spirals. Eternity does not mean infinite time, but simply timelessness. If you want to experience eternal illumination, put the past and the future out of your mind and remain within the present moment.
The musician of disordered sound, the poet of decomposed language, the painter and sculptor of the fragmented visual and tactile world: they all portray the break up of the self and, through the rearrangement and reassemble of the fragments, try to create new structures that possess wholeness, perfection, new meaning.
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