A Quote by Eduardo Chillida
Art is that which comes to a man, and stands between himself and an implacable witness: the work.
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Art is that which comes to a man, and stands between himself and an implacable witness - the work.
Since the time of the cavemen, man has glorified himself, has made himself divine, and his monstrous vanity has caused human catastrophe. Art has collaborated in this false development. I find this concept of art which has sustained man's vanity to be loathsome.
Imagine a man who stands before a mirror; a stone strikes it, and it falls to ruin all in an instant. And the man learns that he is himself, and not the mirrored man he had believed himself to be.
A noble man compares and estimates himself by an idea which is higher than himself; and a mean man, by one lower than himself. The one produces aspiration; the other ambition, which is the way in which a vulgar man aspires.
No man can feel himself alone
The while he bravely stands
Between the best friends ever known
His two good, honest hands.
The priest therefore saw what the anchorite could not. That God needs no witness. Neither to himself nor against. The truth is rather that if there were no God then there could be no witness for there could be no identity to the world but only each man's opinion of it. The priest saw that there is no man who is elect because there is no man who is not. To God every man is a heretic.
Implacable I, the implacable Sea; Implacable most when most I smile serene- Pleased, not appeased, by myriad wrecks in me.
I expect to see the coming decades transform the planet into an art form; the new man, linked in a cosmic harmony that transcends time and space, will sensuously caress and mold and pattern every facet of the terrestrial artifact as if it were a work of art, and man himself will become an organic art form.
Nothing is more humiliating than to have to beg for work, and a system in which any man has to beg for work stands condemned. No man can defend it.
Philosophers have long conceded, however, that every man has two educators: 'that which is given to him, and the other that which he gives himself. Of the two kinds the latter is by far the more desirable. Indeed all that is most worthy in man he must work out and conquer for himself. It is that which constitutes our real and best nourishment. What we are merely taught seldom nourishes the mind like that which we teach ourselves.
As long as a man is persuaded that he can make even the smallest contribution to his salvation, he remains self-confident and does not utterly despair of himself, and so is not humbled before God. Such a man plans out for himself a position, an occasion, a work, which shall bring him final salvation, but which will not.
"A real work of art destroys, in the consciousness of the receiver, the separation between himself and the artist."
The work of art expresses precisely those things which do not die. It must do so, however, in a form that bears witness to the artist's own era.
It is impossible for a man to conceal himself. In every act, word or gesture he stands revealed as he is, and not as he would have himself appear to be. From the Universe, nothing is or an be hidden.
Individually the disciple and friend of Jesus who has learned to work shoulder to shoulder with his or her Lord stands in this world as a point of contact between heaven and earth, a kind of Jacob’s ladder by which the angels of God may ascend from and descend into human life. Thus the disciple stands as an envoy or a receiver by which the kingdom of God is conveyed into every quarter of human affairs.
The art is more important than the artist. The work is more important than the person who does it. You must be prepared to sacrifice all the you could possibly have, be, or do; you must be willing to go all the way for your art. If it is a question between choosing between your life and a work of art -- any work of art -- your decision is made for you.
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