A Quote by Eduardo Galeano
Chaplin and Keaton are still the best. They know that there is nothing more serious than laughter, an art demanding infinite work, and that as long as the world revolves, making others laugh is the most splendid of activities.
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Sometimes there are more tears than laughter, and sometimes there is more laughter than tears, and sometimes you feel so choked you can neither weep nor laugh. For tears and laughter there will always be so long as there is human life. When our tear wells have run dry and the voice of laughter is silenced, the world will be truly dead.
Marriage should be about fun,” she says gently. “It’s about friendship, and laughter, and trust, and fun. If it’s not fun, if you take it all too seriously, what’s the point? You know I’ve been with Andy for fifteen years, and the reason it still works is because he’s my best friend and he still makes me laugh. Admittedly, not all the time, and often we get completely bogged down in work, and the kids, and life, but he’s still the person I most want to phone when anything happens in life, and he’s still the person who makes me laugh the most.
Nothing is worth more than laughter. It is strength to laugh and to abandon oneself, to be light. Tragedy is the most ridiculous thing.
Nothing is funnier than unhappiness, I grant you that… Yes, yes, it's the most comical thing in the world. And we laugh, we laugh, with a will, in the beginning. But it's always the same thing. Yes, it's like the funny story we have heard too often, we still find it funny, but we don't laugh any more.
Making books is hard work. Some books are, of course, more demanding than others.
Has the gift of laughter been withdrawn from me? I protest that I do still, at the age of forty-seven, laugh often and loud and long. But not, I believe, so long and loud and often as in my less smiling youth. And I am proud, nowadays, of laughing, and grateful to any one who makes me laugh. That is a bad sign. I no longer take laughter as a matter of course.
It's about timing and rhythm. But who could be better than Chaplin or Keaton?
Everybody knows from his own experience that after laughter, good laughter, a belly laugh, you almost feel that you have taken an ice-cold shower; a peace, a silence, a freshness... The same is true about crying, but very few people know the secret of crying because it is more repressed than laughter.
Humor is the most precious gift I can give to my reader, a reminder that the world is not such a terribly serious place. There is more than video games and drugs and nuclear threats; there is laughter, and there is hope.
When I was a kid, I loved all the silent comedians - Buster Keaton, Laurel and Hardy, Chaplin. And I used to imitate them. I'd go to see a Buster Keaton movie and come home and try things out I'd seen. I learned to do pratfalls when I was very young.
Making people laugh is one of the highest achievements you can have. And when you can make someone laugh and cry, alternatively, as Chaplin does - now that's the highest of all personal achievements. I don't know that I aim for it, but I recognize it as the supreme goal.
I think physical comedy is an amazing asset because it tells a story that's more universal than just language and dialogue. I grew up watching Charlie Chaplin and Buster Keaton. They're very powerful figures in my life.
For the Baul, life is not a serious thing. It is fun, it is laughter, it is joy. So you cannot find anything like the seriousness of a church-goer, or the long faces of so-called religious people in the world of the Bauls. They love laughter, they love fun. They enjoy small things with tremendous respect. Ordinarily, religions are very long-faced, very sombre, serious, because they have to be - they are against life.
I still hope that more people can create art, even though artistic genres may never be the most popular or money-making genres. But the thing is, I think art is more long-lasting. It stays in people, and it changes them.
Ignorance is a treasure of infinite price that most men squander, when they should cherish its least fragments; some ruin it by educating themselves, others, unable to so much as conceive of making use of it, let it waste away. Quite on the contrary, we should search for it assiduously in what we think we know best. Leaf through a dictionary or try to make one, and you will find that every word covers and masks a well so bottomless that the questions you toss into it arouse no more than an echo.
I believe that a work of art, like metaphors in language, can ask the most serious, difficult questions in a way which really makes the readers answer for themselves; that the work of art far more than an essay or a tract involves the reader, challenges him directly and brings him into the argument.
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