A Quote by Eduardo Risso

For me, the blank page to draw on is a window to adventure. — © Eduardo Risso
For me, the blank page to draw on is a window to adventure.
Actually, who hasn't been through the ghastly experience of sitting in front of a blank page, with its toothless mouth grinning at you: Go ahead, let's see you lay a finger on me? A blank page is actually a whitewashed wall with no door and no window. Beginning to tell a story is like making a pass at a total stranger in a restaurant.
When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
As a writer, if you have something on a page, you can start moving it around and get something you like. But if you have a blank page, it's just gonna be a blank page.
I have a horror of the blank page. I simply cannot write on a blank page or screen. Because once I do, I start to fix it, and I never get past the first sentence.
Staring at the blank page before you, Open up the dirty window, Let the sun illuminate the words that you could not find.
A writer is very much like the captain on a star ship facing the unknown. When you face the blank page and you have no idea where you're going. It can be terrifying, but it can also be the adventure of a lifetime.
Having the great opportunity on a daily basis to sit in front of a blank page is terrifying, and at the same time really exciting. I can't actually get better at my job, because every time you finish something you start with a blank page, with nothing.
Sometimes it can be really exciting, but I avoid the blank page now. What I do is hand write everything. When you're hand writing, there's never a blank page, really. There's so much you can do with that.
One thing I knew about the novelist’s task: when in doubt, write; when empty, write; when afraid, write. Nothing is more impenetrable than the blank page. The blank page is the void, the absence of sense and feeling, the white light of literary death.
To know what you’re going to draw, you have to begin drawing... When I find myself facing a blank page, that’s always going through my head. What I capture in spite of myself interests me more than my own ideas.
There should be no telephone in your writing room, certainly no TV or videogames for you to fool around with. If there’s a window, draw the curtains or pull down the shades unless it looks out at a blank wall.
The writing process is the time where nothing's been set in stone. It's a blank slate, or a blank page.
Creativity is always a leap of faith. You're faced with a blank page, blank easel, or an empty stage.
The worst thing is the blank page at the start. Then the horrible things written on the blank page. Then deciding whether or not to throw out those horrible things: lame scenes, lame characters, bad ideas.
I found, after the experience of making 'Shaun Of The Dead' and then returning to the blank page - because 'Shaun Of The Dead' was the first screenplay I ever wrote properly - the experience of returning to the blank page and having nothing in the drawer was intensely painful.
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