A Quote by Eduardo Risso
Any change in my style depends on many things, but it's whatever fits the project. It's important to me to make style changes from time to time; it makes me feel alive as an artist. For instance, with 'Moonshine,' I'm doing all my own coloring. That's a new development!
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Being in front of an audience makes me feel alive. Being with friends makes me feel alive. I’ve done some crazy stuff in my time and yet I can feel infinitely alive curled up on a sofa reading a book. So, what makes me feel alive? I guess it’s realizing I am part of the world around me.
You know, comments about style always seem strange to me - 'why do you work in this style, or in that style' - as if you had a choice in the matter... What you're doing is trying to stay alive and continue and not die.
My style of play has always been 'Guardiola style,' so I've not had too many problems. At the same time, he helps you to evolve and to change little things, because it's obviously not exactly the same style of play as at Bilbao.
My personal style is a continued evolution. I can see I've had a different style for every different age in the period of my life. It's difficult for me to say what is my style because I change all the time. I change every eight months, it's so weird.
I can't give a formula for how to spread joy, but I know that the source of the joy is one's own joy, and that that is not distinct from pleasure and fulfillment of desires. So I ask: What makes me feel alive? What is the expression of my inner wild? What would really feel good? What if what makes me feel alive leads me toward the deeper joys, which are found in generosity and service, in creating things that are beautiful to me? Maybe the world needs more of that. How many petroleum company executives are doing their work because it's beautiful to them? Not very many, I bet.
Oddly enough, I suppose, I don't give much thought to my style, and I don't attempt to be consistent - except within a story. You ask if I struggled to find my style. It seems to me that style - in other words, a way of thinking and doing things - is innate. You can try to will it to be different, but it's like a signature - you can't change its fundamental nature.
Find a poet whose style you like, emulate that style, then deal with things that you know about - don't waste your time looking for your own style.' I wish I could remember who told me that, because I'd like to congraulate him. I've emulated all the old guys - Tennyson, Alexander Pope.
The most important thing in life is style. That is, the style of ones existence-the characteristic mode of ones actions-is basically, ultimately what matters. For if man defines himself by doing, then style is doubly definitive, because style describes the doing.
I've been working with Riccardo Tisci from Givenchy.It's been a long collaboration, and I don't think it's going to stop now. It's very important to me. Riccardo is younger than me, so it's great to have someone new teaching you in everything, not just in fashion. I'm teaching him in French style, what a women's style is, but he's teaching me in all of these different styles of music.I love this new world for me. It's refreshing and nourishing to keep learning about new things.
For me, style is essentially doing things well. If you want to be outrageous, be outrageous with style. If you want to be restrained, be restrained with style. One can't specifically define style. It's like the perfume to a flower. It's a quality you can't analyze.
I don't really have a style -- I'm just me. My style is kinda whatever I feel like wearing. A lot of girls feel like they need to wear what everyone else is wearing. But it's good to have your own trend. People will start following it!
My style when I was younger was still unique to me. I didn't necessarily dress by the trends, but I was always aware of what was trendy at the time and how I could apply it to my own sense of style.
When a new writer defends his "style," the teacher smiles (or cringes) because real style isn't an artifice. Real style - voice - arrives on its own, as an extension of a writer's character. When style is done self-consciously and purposefully it becomes affectation, and as transparent as any affectation - an English accent on an old college chum from New Jersey, for example.
A lot of people don't feel like doing very much. Or one project is really all they can do at one time. I can have five or six things going at the same time. It doesn't bother me or tire me, but sometimes it does rattle me.
It was important for me as a theater artist to allow myself and my interests to evolve over time and allow my notion of what success meant to evolve over time. I've always had a day job and never been just acting. But it didn't make me feel like I wasn't doing what I was supposed to be doing.
It's my style, and I'll sink or swim on that style. What you heard on 3AW is what you'll hear on Triple M, and if people don't like it, then it's time for me to become a full-time grandfather.
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