A Quote by Eduardo Souto de Moura

Drawing architecture is a "schizoid" act: it involves reducing the world to a piece of paper. — © Eduardo Souto de Moura
Drawing architecture is a "schizoid" act: it involves reducing the world to a piece of paper.
God created paper for the purpose of drawing architecture on it. Everything else is at least for me an abuse of paper.
God created paper for the purpose of drawing architecture on it. Everything else is, at least for me, an abuse of paper.
If an overgrown child draws something on a piece of paper, you can't ask the paper what the drawing is supposed to represent.
With drawing, I am acutely aware of creating something on a sheet of paper. It is a sensual act, which you cannot say about the act of writing. In fact, I often turn to drawing to recover from the writing.
Indeed, an engineer designing a structure is not unlike an artist painting one. Both start with nothing but talent, experience, and inspiration. The fresh piece of paper on the drawing board is as blank as the newly stretched piece of canvas.
When I'm talking to somebody, I'll put a piece of paper on the table and I'll write what I call a conversation summary - notes about the conversation on the piece of paper. At the end of the conversation, I'll take a picture on my phone and give the other person the original piece of paper.
An aptitude test established architecture as an alternative [career]. But what decided the matter for [Teddy Cruz] was the sight of a fourth-year architecture student sitting at his desk at a window, drawing and nursing a cup of coffee as rain fell outside. 'I don't know, I just liked the idea of having this relationship to the paper and the adventure of imagining the spaces. That was the first image that captured me.
When I see a white piece of paper, I feel I've got to draw. And drawing, for me, is the beginning of everything.
Before I got in the UFC, I wrote down on a piece of paper a goal that I was going to make it to the UFC in 2015 and then I'll be the world champion before 2017 so I'm right on track. I pull out that piece of paper all the time and look at it. It's motivation.
You don't have to become a slave in a corporate office or groupie of a celebrity architect, because all you need is a piece of paper, a pencil and the desire to make architecture.
All I liked to do when I was a kid was draw. My childhood was like my adult life: drawing pictures with my brother, putting the comics up on the glass window, and tracing the characters onto tracing paper or drawing paper and then coloring them. That and making things was all we ever did.
I use the old Strathmore vellum surface paper, which is the best paper you can get in the Western world for ink line drawing. It has a good, hard surface.
The traditional notion of an architect having a vision of a building and then drawing it either on paper or on a computer and then constructing it isn't really how architecture works and in reality the computer has a lot of influence on design.
It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one.
Breathing involves a continual oscillation between exhaling and inhaling, offering ourselves to the world at one moment and drawing the world into ourselves at the next.
Architecture is the constant fight between man and nature, the fight to overwhelm nature, to possess it. The first act of architecture is to put a stone on the ground. That act transforms a condition of nature into a condition of culture; it's a holy act.
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