A Quote by Edvard Grieg
To have the ability to withdraw into oneself and forget everything around one when one is creating - What, I think is the only requirement for being able to bring forth something beautiful. The whole thing is - a mystery.
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Man, do you think yours is the only soul? Look around you. Everything that you see quivers with being. Though your thoughts are free, one thing you do not think about: the whole. Beasts have a mind; respect it. Flowers too- look at one. Nature brought forth each petal. There is a mystery that sleeps in metal. Everything feels, and has power over you.
Don't forget you're alive. 'Cause sometimes when you walk around the city and you're in a bad mood, you can think, hey, wait a minute, we're alive! We don't know what the next second will bring and what a fantastic thing this is. This can get easily forgotten in the routine of life, and that's something I'm trying to bring to my attention at all times. Don't forget you're alive. We're not dead, you know. This is the greatest thing.
One can forget everything, everything, only not oneself, one's own being.
You all say the same thing. When something bad happens, everyone tells you to forget about it. But, I don't think you can forget that easily. You may be able to pretend you've forgotten, but I don't think anyone can completely forget.
If we can believe in the Gnostic gospel of Thomas, old Uncle Jesus said, "If you bring forth what is inside you, what you bring forth will save you. If you don't bring forth what is inside you, what you bring forth can destroy you.
Being able to influence the outcome, being able to do something about it, to be able to stop the bleeding. You're not being useful if you're just standing there going "Oh, that's awful!" You're only useful if you actually do something about it and I think that goes for everything. If you actually do something about what's in front of you, then you are actually contributing and you haven't got time to be self-centred or sorry for yourself. You should be doing something about the person you really should feel sorry for.
Little Wing is like one of these beautiful girls that come around sometimes ... you play your gig; it's the same thing as the olden days, and these beautiful girls come around.. you do actually fall in love with them because that's the only love you can have. It's not always the physical thing of "Oh, there's one over there ...", it's not one of those scenes. They actually tell you something. They release different things inside themselves ... "Little Wing" was a very sweet girl that came around that gave me her whole life and more if I wanted it.
That is the whole trouble with being a heretic. One usually must think out everything for oneself.
Perhaps the basic thing which contributes to charm is the ability to forget oneself and be engrossed in other people.
Most birds were created to fly. Being grounded for them is a limitation within their ability to fly, not the other way around. You, on the other hand, were created to be loved. So for you to live as if you were unloved is a limitation, not the other way around. Living unloved is like clipping a bird’s wings and removing its ability to fly. Not something I want for you. Pain has a way of clipping our wings and keeping us from being able to fly. And if left unresolved for very long, you can almost forget that you were ever created to fly in the first place.
Part of being a great restaurant chef is having an ability to bring all those people together, rather like a captain on a rugby field or a coach. It's also being a great teacher, because I'm only one person in a kitchen of 10 and I need to be able to bring all those people together and to teach them. I need to be able to communicate my thoughts and my process to them.
I think, something that you might be able to locate in the work that I'm creating today: the ability to look at a black America as something that not only can be mined in a very sort of cynical, cold way, but also embraced in a very personal, love-driven way; but also sort of critiqued.
There is something special about being an actor and able to bring somebody's visualisation - director, storywriter and script writer - into life. It is almost like creating a person.
Creating everlasting works is possible only being ducked in Verity; and gaining verity is possible only from the god. The one who given the ability for creation to, it is given the ability for immortality to. This ability is the substance not only of the human beings, but it can be seen in animals; birds and insects.
The first mystery is simply that there is a mystery, a mystery that can never be explained or understood, only encountered from time to time. Nothing is obvious. Everything conceals something else.
The heart of it all is mystery, and science is at best only the peripheral trappings to that mystery--a ragged barbed-wire fence through which mystery travels, back and forth, unencumbered by anything so frail as man's knowledge.
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