A Quote by Edvard Munch
Anybody who perceives colors can become a painter. It's simply a question of whether or not one has felt anything and whether one has the courage to recount the things one has felt.
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When I was 14, I felt very rundown; I had a home to go to, but I felt like I was 60 or something, older than I feel now. And I don't know if it's something that happens at 14, or whether it was adolescence or whether I was gay, or closeted gay, or whatever it was, I felt that.
I always felt that I would become somebody outstanding, whether it was in singing, instrumental playing, orchestra conducting, or anything involving feeling.
I always believe that every song tells a story, so the last thing I want to do is edit out like the meat of the story. I would pick songs based off a), whether I felt like I could do anything with them, and b) whether I felt like I could keep the story intact. And then you sit in with one of the piano players and one of the vocal coaches and kind of work out your arrangements that way.
There's no question that ghosts exist. The big question for me is whether ghosts are simply electronic imprints left in the walls or the atmosphere of places, or whether they do actually represent something from the afterlife.
The wrong question to ask of a myth is whether it is true or false. The right question is whether it is living or dead, whether it still speaks to our condition.
I'm always going to judge somebody on their work ethic, and whether or not they made me feel something, or whether or not I felt they did a good job. To me, it's important to try to block anything personal out and look at the performance, in any field.
I would not let anybody change me or put me in anything tight or anything 'til I felt it was safe or I felt like it.
On some level, acting is the art of pretend, and you have to have a highly cultivated sense of imagination. You have to be able to see things that aren't there, no matter what aspect of acting, whether it's green screen, whether it's on stage, whether it's anything else, whether you're working on the radio.
On some level acting is the art of pretend and you have to have a highly cultivated sense of imagination. You have to be able to see things that aren't there no matter what aspect of acting, whether it's green screen, whether it's on stage, whether it's anything else, whether you're working on the radio.
My dad has been to every soccer game that I've played in, both at the amateur level and at the professional level, and he always had great things to say whether we won or we lost, whether I felt great or not so great.
The question is not whether a doctrine is beautiful but whether it is true. When we wish to go to a place, we do not ask whether the road leads through a pretty country, but whether it is the right road.
Whether something is old-fashioned or not doesn't resolve the question of whether it's true or not. I can see the temptation of simply thinking, 'Well, there's a cultural mainstream which flows neatly in one direction. You just align with it'. And that really won't do.
I sometimes question whether I'm even an artist or just a painter.
Honestly, I never felt like I wasn't an artist on my own. I always felt like the music I made was mine, whether it was part of a collaboration with people.
The greatest question of all is whether our experience on this planet is 'it' or whether there is something else. Things in the supernatural realm give support, strangely perhaps, to the things we take on faith.
The greatest question of all is whether our experience on this planet is "it" or whether there is something else. Things in the supernatural realm give support, strangely perhaps, to the things we take on faith.
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