A Quote by Edvard Munch

In common with Michelangelo and Rembrandt I am more interested in the line, its rise and fall, than in color — © Edvard Munch
In common with Michelangelo and Rembrandt I am more interested in the line, its rise and fall, than in color
In common with Michelangelo and Rembrandt I am more interested in the line, its rise and fall, than in color.
The world has witnessed the rise and fall of monarchy, the rise and fall of dictatorship, the rise and fall of feudalism, the rise and fall of communism, and the rise of democracy; and now we are witnessing the fall of democracy... the theme of the evolution of life continues, sweeping away with it all that does not blossom into perfection.
I believe in Michelangelo, Velasquez, and Rembrandt; in the might of design, the mystery of color, the redemption of all things by Beauty everlasting, and the message of Art that has made these hands blessed. Amen. Amen.
Between their rise in the thirteenth century and their sudden fall in the seventeenth, when the line abruptly ended, the Medicis produced three popes, two queens, and many Florentine rulers, and they supported the work of Galileo, Michelangelo, Leonardo, and Botticelli - a veritable parade of geniuses.
Tintoretto attempted to fill the line of Michelangelo with color, without tracing its principle.
The specter of color is apparent even when it goes unmentioned, and it is all too often the unseen force that influences public policy as well as private relationships. There is nothing more remarkable than the ingenuity that the various demarcations of the color line reflect. If only the same creative energy could be used to eradicate the color line; then its days would indeed be numbered.
I am interested in the interaction of a group of people who have a common goal, or a common obsession, each contributing something unique to make something greater than the sum of its parts. I don't know why, but from day one, that has interested me.
I perceive myself as rather uninhibited, with a certain mathematical facility and more interest in the broad aspect of a problem than the delicate nuances. I am more interested in discovering what is over the next rise than in assiduously cultivating the beautiful garden close at hand.
If you're saving for the long run, it's actually a good thing when the market is down because the more shares you have, the more you can potentially make when markets rise. And over time - decades, not months - the markets rise more than they fall.
We're looking at a story we want to call "Am I Black enough for you?" That's that whole question of who determines what "Black enough" is. Is it color? And if it's color, then are you telling me that Clarence Thomas is Blacker than Louis Farrakhan? If it's not color then what's the line that determines whether you are?
Failure is part of life. My failures have taught me more than my successes. So, it is important to fall and it is equally important to fall and rise.
Picasso, Michelangelo, possibly, might be verging on genius, but I don't think a painter like Rembrandt is a genius.
I'm always interested in projects. Whatever I do, I'm interested in the color of the material. I'm not interested in who's making it. I'm more concentrated on the work.
Male buerkitshi are certainly more common than females today, although eagle hunting has always been open to interested girls. Archaeology suggests that eagle huntresses were probably more common in ancient times.
America doesn't have the moral right to tell other people what to do. To say the whole world has to fall into line is you-know-what. I hope more people will rise up.
I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.
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