A Quote by Edvard Munch

Death is pitch-dark, but colors are light. To be a painter, one must work with rays of light. — © Edvard Munch
Death is pitch-dark, but colors are light. To be a painter, one must work with rays of light.
Rays were blazing through the atmosphere of the earth, the horizon became bright orange, gradually passing into all the colors of the rainbow: from light blue to dark blue, to violet and then to black. What an indescribable gamut of colors! Just like the paintings of the artist Nicholas Roerich.
Light seeking light doth light of light beguile: So, ere you find where light in darkness lies, Your light grows dark by losing of your eyes.
Once again you are wrong sir, darkness does not exist either. Darkness is in reality the absence of light. Light we can study, but not darkness. In fact we can use Newton's prism to break white light into many colors and study the various wavelengths of each color. You cannot measure darkness. A simple ray of light can break into a world of darkness and illuminate it. How can you know how dark a certain space is? You measure the amount of light present. Isn't this correct? Darkness is a term used by man to describe what happens when there is no light present.
My works are about light in the sense that light is present and there; the work is made of light. It's not about light or a record of it, but it is light. Light is not so much something that reveals, as it is itself revelation.
For low light, all the light rays participate. We're using all the light coming through a large aperture to make a picture with a large depth of field - totally impossible with a conventional camera.
From what has been said it is also evident, that the Whiteness of the Sun's Light is compounded all the Colours wherewith the several sorts of Rays whereof that Light consists, when by their several Refrangibilities they are separated from one another, do tinge Paper or any other white Body whereon they fall. For those Colours ... are unchangeable, and whenever all those Rays with those their Colours are mix'd again, they reproduce the same white Light as before.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
The light is there, and colors surround us. However, if there were no light nor colors in our own eye, we wouldn't perceive such things outside of us.
The valley of the shadow of death holds no darkness for the child of God. There must be light, else there could be no shadow. Jesus is the light. He has overcome death.
And thou hast stolen a jewel, Death! Shall light thy dark up like a Star. A Beacon kindling from afar Our light of love and fainting faith.
It's like you run into this dark tunnel, trusting that somewhere there's another end to it where you're going to come out. And there's a point in the middle where it's just dark. There's no light from where you came in and there's no light at the other end; all you can do is keep running. And then you start to see a little light, and a little more light, and then, bam! You're out in the sun.
This is my vision-what I imagine I'll pass through on my way to the light. The blue sky, the clouds, the rays of light.
Stories are light. Light is precious in a world so dark. Begin at the beginning. Tell Gregory a story. Make some light.
I'm known as a light artist. But rather than be someone who depicted light, or painted light in some way, I wanted to have the work be light.
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
There will be natural propriety in using an eastern light for bedrooms and libraries, a western light in winter for baths and winter apartments, and a northern light for picture galleries and other places in which a steady light is needed; for that quarter of the sky grows neither light nor dark with the course of the sun, but remains steady and unshifting all day long.
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