A Quote by Edward Abbey
So I write mainly for the fun of it, the hell of it, the duty of it. I enjoy writing and will probably be a scribbler on my dying day, sprawled on some stony trail halfway between two dry waterholes.
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The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.
A dry period for me means perhaps going two or three nights without writing. I probably have dry periods but I'm not aware of them and I go on writing, only the writing probably isn't much good.
When I was first writing, I used to sit at the piano and play songs - I'd write one or two a night. It was my hobby. At some point, it then became a process that was mainly done within the context of the studio, and writing became part of the recording process.
As an actor, I never really had a strategy. I just take projects, as they come. It all comes down to the writing, at the end of the day, for me. I don't care if it's a two-line cameo or the lead of the thing, as long as the project has some weight behind the writing and it's interesting and I think people will enjoy it.
I do my best writing between 10 p.m. and 5 a.m.. Almost every friend I have who is a consistently productive writer, does their best writing between 10 p.m. and 8 a.m. My quota is two crappy pages per day. I keep it really low so I'm not so intimidated that I never get started. I will do the gathering of interviews and research throughout the day. I'll get all my notes and materials together and then I'll do the synthesis between 10 p.m. to bed, which is usually 4 or 5 a.m.
Well, I think it’s extraordinarily fun to write, and I look forward to it every day, but that doesn’t mean I think it’s easy. There’s a difference between the two. It’s fun in the way all worthwhile things are fun – there’s difficulty attached to it. I think that a writer has to accept a certain amount of frustration. It’s inherent in the task, and you have to simply persevere. It’s part of the definition of the work.
The secret to writing is just to write. Write every day. Never stop writing. Write on every surface you see; write on people on the street. When the cops come to arrest you, write on the cops. Write on the police car. Write on the judge. I'm in jail forever now, and the prison cell walls are completely covered with my writing, and I keep writing on the writing I wrote. That's my method.
There isn't a single day I don't do some writing -- if you don't, you won't have a book. When you're self-employed it is very easy to burn away your time instead -- answering e-mails, surfing the Internet, or hanging out with friends. You really must have the discipline to sit down and write every day. Most of what I am writing is living in the back of my head or in my subconscious. I find if I write every day, my subconscious will do the job for me.
A Tibetan Lama said to me, "The best place to stand, Ram Dass, is halfway between hope and hopelessness." So I can write a scenario for the 21st century in either direction. One is that it all goes to hell and that it's truly the dark age.
Film writing and concert writing are two very different things. In film writing I am serving the film and it tells you what to write. I have to stay within the parameters of the film. In writing concert music for the stage I can write anything I want and in this day and modern age rules can be broken.
That's the secret of how to enjoy writing and how to make yourself meet high standards," said Mrs. Berman. "You don't write for the whole world, and you don't write for ten people, or two. You write for just one person.
I write to invite the voices in, to watch the angel wrestle, to feel the devil gather on its haunches and rise. I write to hear myself breathing. I write to be doing something while I wait to be called to my appointment with death. I write to be done writing. I write because writing is fun.
I move between the two: I write an adult novel, and then I write a children's book. I quite enjoy that. It's a nice change of pace each time.
The massive, frustrated energies of a mainly young, disillusioned electorate that has long since abandoned the idea that we all have a duty to vote. This is like being told you have a duty to buy a new car, but you have to choose immediately between a Ford and a Chevy.
Writing is a form of personal freedom. It frees us from the mass identity we see in the making all around us. In the end, writers will write not to be outlaw heroes of some underculture but mainly to save themselves, to survive as individuals.
The Bible is full of interest. It has noble poetry in it; and some clever fables; and some blood-drenched history; and some good morals; and a wealth of obscenity; and upwards of a thousand lies. This Bible is built mainly out of fragments of older Bibles that had their day and crumbled to ruin. So it noticeably lacks in originality, necessarily. Its three or four most imposing and impressive events all happened in earlier Bibles; there are only two new things in it: hell, for one, and that singular heaven I have told you about.
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