A Quote by Edward Abbey

Good writing can be defined as having something to say and saying it well. When one has nothing to say, one should remain silent. Silence is always beautiful at such times.
Writing well isn't just a question of winsome expression, but of having found something big and true to say and having found the right words to say it in, of having seen something large and having found the right words to say it small, small enough to enter an individual mind so that the strong ideas of what the words are saying sound like sweet reason.
Two of the biggest conversational blunders you can make are saying something when you should stay silent, and staying silent when you should say something.
By diminishing the value of silence, publicity has also diminished that of language. The two are inseparable: knowing how to speak has always meant knowing how to keep silent, knowing that there are times when one should say nothing.
Writer's block is just a symptom of feeling like you have nothing to say, combined with the rather weird idea that you should feel the need to say something. Why? If you have something to say, then say it. If not, enjoy the silence while it lasts. The noise will return soon enough.
I do a lot of work with policymakers, but how much effect am I having? It’s like they’re coming in and saying to you, ‘I’m going to drive my car off a cliff. Should I or should I not wear a seatbelt?’ And you say, ‘I don’t think you should drive your car off the cliff.’ And they say, ‘No, no, that bit’s already been decided—the question is whether to wear a seatbelt.’ And you say, ‘Well, you might as well wear a seatbelt.’ And then they say, ‘We’ve consulted with policy expert Rory Stewart and he says . . . .’
Among friends one has the privilege of saying nothing; the civility consists in the assumption that one's silence will be civilly understood. I can imagine a small gathering of friends who say nothing all evening: they recoil from saying anything that the others don't want to hear; and their silence would be the subtlest courtesy.
People say, 'Well don't you regret not having kids?' And I go, 'No, not really.' And then if they keep asking, I always say this, 'Well, you know, maybe I'll adopt.' But I don't mean that. It's just something I say to make me sound like a nicer person.
I should have said something. ... But my mouth wouldn't open, and the longer I stood there in silence, the better I can to understand the problem. It wasn't that I had nothing to say to him. It was that I had too much to say.
Thoughts are created in the act of writing. [It is a myth that] you must have something to say in order to write. Reality: You often need to write in order to have anything to say. Thought comes with writing, and writing may never come if it is postponed until we are satisfied that we have something to say...The assertion of write first, see what you had to say later applies to all manifestations of written language, to letters...as well as to diaries and journals
Because sometimes when someone is telling you something really important, it’s best to just let there be silence, to really think about what they’re saying. A lot of times people think they have to say something all insightful or wise or something to try and make the person feel better. But really, sometimes silence is best.
The problem is no longer getting people to express themselves, but providing little gaps of solitude and silence in which they might eventually find something to say. Repressive forces don’t stop people from expressing themselves, but rather, force them to express themselves. What a relief to have nothing to say, the right to say nothing, because only then is there a chance of framing the rare, or ever rarer, the thing that might be worth saying.
The best advice I ever got came from my mother, Estee Lauder: She believed that if you had something good to say, you should put it in writing. But if you had something bad to say, you should tell the person to his or her face.
If what one has to say is not better than silence, then one should keep silent.
A lot of times people will say, 'Well, gosh, you're really good; you should try acting!' And I say, 'Come on! I'm thesping my little guts out over here.'
It is a really good question. The other day I was praying over something as I was running, and I ended up saying to God, ‘Look, this is all very well, but isn’t it about time you did something, if you’re there?’ Which is probably not what the archbishop of Canterbury should say.
Well, the great thing for me about poetry is that in good poems the dislocation of words, that is to say, the distance between what they say they're saying and what they are actually saying is at its greatest.
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