A Quote by Edward Abbey

In art as in life, form and subject, body and soul, are one. — © Edward Abbey
In art as in life, form and subject, body and soul, are one.
The impious soul, however, punishes itself by seeking a human body to enter into, for no other body can receive a human soul; it cannot enter the body of an animal devoid of reason. Divine law preserves the human soul from such infamy... The soul passeth from form to form; and the mansions of her pilgrimage are manifold. Thou puttest off thy bodies as raiment; and as vesture dost thou fold them up. Thou art from old, O Soul of Man; yea, thou art from everlasting.
I'm not advocating the strenuous life for everyone or trying to say it's the choice form of life. Anyone who's had the luck or misfortune to be an athlete has to keep his body in shape. The body and mind are closely coordinated. Fattening of the body can lead to fattening of the mind. I would be tempted to say that it can lead to fattening of the soul, but I don't know anything about the soul.
What I found interesting in dance is the idea that my work has always been dealing with the nervousness between the human subject as a subject and the human subject as a form. And if you look at my dance films, there are always these cuts between the dancer as a form, the dancer as a subject, and this kind of very harsh treatment of the dancer as someone who's actually drawing with their body.
We can no longer contemplate the subject - self - of contemporary art; it has been woven into infinite relationships, replaced by social movements, national image, and financial capital. The disappearance of the construction of the self of contemporary art makes it impossible to exist in the form of a subject. The subject of contemporary art that I speak of is a kind of naming event predicated upon the multiplicity of the environment. It includes politics, should have its own way of thinking, and can be perceived.
The reflection, the verisimilitude, of life that shines in the fleshly cells from the soul source is the only cause of man's attachment to his body; obviously he would not pay solicitous homage to a clod of clay. A human being falsely identifies himself with his physical form because the life currents from the soul are breath-conveyed into the flesh with such intense power that man mistakes the effect for a cause, and idolatrously imagines the body to have life of its own.
In the same way that we have a body and a soul and a spirit, our soul can't walk in the street without our body - we would be dead then. Religion is the same way; it has to have a body, it has to have a form, it has to have structure. Without that, the soul cannot be prepared to follow the tariqah.
The great art of life is how to turn the surplus life of the soul into life for the body.
As the soul is the life of the body, so God is the life of the soul. As therefore the body perishes when the soul leaves it, so the soul dies when God departs from it.
The soul is the form of the body, but not as the shape of a statue is formatio et terminatio materiae, for form does not exist apart from material. There is no whiteness without a white object. But the soul is not a form in this simple sense, and in particular, is not the shape of the material it informs. Therefore, the shape of a being does not affect the being's soul, for then something lower would inform something higher, which is impossible.
The spirit for me is the eternal self. And when one incarnates, an aspect comes with that incarnation, that's called the soul. And together the mind, the emotional body, and the soul form the energy field that lives within this thing called the human body.
When we free ourselves from name and form, especially from a body - when we need no body, good or bad - then only do we escape from bondage. Eternal progression is eternal bondage; annihilation of form is to be preferred. We must get free from any body, even a "god-body". God is the only real existence, there cannot be two. There is but One Soul, and I am That.
The chief evil with relation to the body is love for the body and pitying it. This takes away all the soul's authority over the body and makes the soul the slave of the body. And on the contrary, one who does not spare the body will not be disturbed in whatever he does by apprehensions born of blind love of life. How fortunate is one who is trained to this from childhood!
Well, you split your soul, you see, and hide part of it in an object outside the body. Then, even if one’s body is attacked or destroyed, one cannot die, for part of the soul remains earthbound and undamaged. But of course, existence in such a form . . .
As Buddhists, statues are more than simply pieces of stone to us. We believe the statue of the Buddha has a kind of soul and is the Buddha in some sense. This is why we can pray to it. Clay is a very interesting and fundamental material - it's earth, it's water and - with fire - it takes on form and life. In fact, what is art? Art is giving to what you create a soul. That's why it is said God is like an artist.
The soul is the ego, the ‘I,’ or the self, and it contains our consciousness. It also animates our body. That’s why when the soul leaves the body, the body becomes a corpse. The soul is immaterial and distinct from the body.
Beauty is like a soul that hovers over the surface of form. Its presence is unmistakable in art or in life.
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