A Quote by Edward Abbey

The Proustian aquarium: grotesque and gorgeous fish drifting with languid fins through a subaqueous medium of pale violet polluted ink. — © Edward Abbey
The Proustian aquarium: grotesque and gorgeous fish drifting with languid fins through a subaqueous medium of pale violet polluted ink.
The Marine Aquarium Council really wants us to keep the coral and the fish safe. They are not saying it is bad to have an aquarium in your house, just that you should make sure when you buy fish for your aquarium... they have been Marine Aquarium Council-certified.
I love my Force Fins, which are the kind of fins Special Forces use and really are adapted from the fins of fish. They're very efficient. They are so beautiful, a pair is in the Museum of Modern Art. The set I have are ruby red. I call them my ruby flippers.
When you're watching an action movie, you experience an action movie more outside of the aquarium, you're out of the aquarium looking in at all the swimming fish that are in there. Whereas horror films and thrillers are designed to put the audience into that box, into that aquarium.
The beautifully composed imagery of '12 Years a Slave' underscores the savagery of its subject, which is an American South not of knights and ladies but obscene values and a grotesque pageantry, every gorgeous shot of the languid landscape radiating toxicity like a hyperlush blossom that's poison to the touch.
The only kind of seafood I trust is the fish stick, a totally featureless fish that doesn't have eyeballs or fins.
We give people fish. We teach them to fish. We tear down the walls that have been built up around the fish pond. And we figure out who polluted it.
I have an aquarium full of fish and some Mexican walking fish.
Why didn't Eternity have this deformed age aborted ? Its birthmark is the stamp of a newspaper, its medium is printer's ink, and in its veins flows ink.
I'm such an action movie junkie that as an action fan, because action scenes are so heightened, we could never really picture ourselves in that scene. So when you're watching an action movie, you experience an action movie more outside of the aquarium: you know you're out of the aquarium looking in at all the swimming fish that are in there.
This brings me back to the image of Kafka standing before a fish in the Berlin aquarium, a fish on which his gaze fell in a newly found peace after he decided not to eat animals. Kafka recognized that fish as a member of his invisible family- not as his equal, of course, but as another being that was his concern.
To understand what the outside of an aquarium looks like, it's better not to be a fish.
I doubt if the texture of Southern life is any more grotesque than that of the rest of the nation, but it does seem evident that the Southern writer is particularly adept at recognizing the grotesque; and to recognize the grotesque, you have to have some notion of what is not grotesque and why.
When you see a fish you don't think of its scales, do you? You think of its speed, its floating, flashing body seen through the water... If I made fins and eyes and scales, I would arrest its movement, give a pattern or shape of reality. I want just the flash of its spirit.
Because I'm so pale, I am basically like a new-born fish, you can see my heart through my chest, like I'm see-through, I'm so blue.
Pale ink is better than the most retentive memory.
The moment we turn over the soil we start poisoning it and we go on poisoning it all the way through... and there's probably not a river in the United States that doesn't have pesticide poisoning in it. The fish are dying. The seas are getting polluted. All of these things are happening. The rain forests are going. That's what the context is.
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