A Quote by Edward Albee

I don't like symbolism that hits you over the head. A symbol should not be a cymbal. — © Edward Albee
I don't like symbolism that hits you over the head. A symbol should not be a cymbal.
I am automatically suspicious of things that wave their symbolism around and do little dances and bludgeon you over the head so that you [Darn] Well Know There's A Symbol Here.
I wait until an investment idea is so good, it hits me over the head like an anvil.
So whenever Marnus Labuschagne steps out, he hits the ball over cow corner for an offspinner, or he hits it over mid-off. It's very rare through long-on. And he doesn't have a flat sweep, he has a lap sweep, like a paddle.
Obviously, the big hits like 'Shout,' 'Everybody Wants to Rule the World,' 'Head Over Heels,' we play live, so there's nothing new about them to me.
CTE can be caused by smaller hits to the head over time.
There are the medical dangers of football in general caused by head trauma over repetitive hits.
The fifth and by far the most important reason is that stoning is literally a means of crushing the murderer's head by means of a rock, which is symbolic of God. This is analogous to the crushing of the head of the serpent in Genesis 3:15. This symbolism testifies to the final victory of God over all the hosts of Satan. Stoning is therefore integral to the commandment against murder.
Imagine this guy hits Mike Hammer over the head with a wooden coathanger and knocks him out. You hit Mike Hammer over the head with a wooden coathanger, he'll beat the crap out of you.
The image of Stephen Hawking - who has died aged 76 - in his motorised wheelchair, with head contorted slightly to one side and hands crossed over to work the controls, caught the public imagination as a true symbol of the triumph of mind over matter.
Anthony Johnson hits harder than any other person, no doubt. Every time he hit me, it made me kind of, like, fly all over the place. He was trying to take my head off.
Most of the time, when I had hits as a soloist - maybe not so much with Simon & Garfunkel - I was surprised they were hits. I didn't know what the hits were. I never thought that 'Loves Me Like A Rock' was going to be a hit, or 'Mother And Child Reunion,' or '50 Ways To Leave Your Lover.' They didn't sound like what the hits sounded like at the time. Radio was more open to things that weren't exactly what every other hit was.
You should be falling asleep before your head hits the pillow because you worked so hard every moment of the day.
I remember when I was in film school. It was my second year, and some kid did - had this really over-religious symbolism; like, it said 'John 3:16' and had angels falling over, and it was just this insane - it wasn't that great.
When you've got an extra gear in your head where that's all you do, you've constantly got a little radar up. ... And when something hits that strikes that beeper, hits that radar, it's like my song skills kick right in and go, 'Oh, OK, there's a song in that.' And then I start trying to figure it out.
Fire is a symbol for so much. It's a symbol for change. It's a symbol for destruction. Out of the ashes of that comes an opportunity to start over. It's one of the greatest metaphors in nature that you can possibly lean on, especially as a songwriter. You're trying to describe either something coming to a complete and utter end or something that is in flux, or something that's on the verge of becoming something else.
[Winning the White House was an achievement], but as an African-American, [Barack Obama], I think the symbolism is in how he conducted himself. The symbolism was in - and this sounds really, really small, but it's actually big for African-Americans - the symbolism was not in being an embarrassment, but to being a figure that folks were actually proud of.
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