A Quote by Edward Albee

Every monster was a man first. — © Edward Albee
Every monster was a man first.
The monster I kill every day is the monster of realism. The monster who attacks me every day is destruction. Out of the duel comes the transformation. I turn destruction into creation over and over again.
Racing serves as a formal demonstration of your ability to ride the three-headed monster. The first monster is your physical preparation-lifting weights for strength, running for endurance, working on your technique. The second monster is your mental preparation-all our jabbering about humility, battling for your life, taking complete responsibility for the outcome. The last monster is your X Factor, your soul, your courage. Taken altogether, I call this three-headed monster the Process of Winning.
To a man born without conscience, a soul-stricken man must seem ridiculous. To a criminal, honesty is foolish. You must not forget that a monster is only a variation, and that to a monster the norm is monstrous.
There is many a monster who wears the form of a man; it is better of the two to have the heart of a man and the form of a monster.
The monster does not need the hero. it is the hero who needs him for his very existence. When the hero confronts the monster, he has yet neither power nor knowledge, the monster is his secret father who will invest him with a power and knowledge that can belong to one man only, and that only the monster can give.
Man is a wretch without woman; but woman is a monster-and thank Heaven, an almost impossible and hitherto imaginary monster--without man, as her acknowledged principal!
I always enjoyed doing monster books. Monster books gave me the opportunity to draw things out of the ordinary. Monster books were a challenge - what kind of monster would fascinate people?
Every man who is not a monster, a mathematician, or a mad philosopher, is the slave of some woman or other.
People look at me as if I were some sort of monster, but I can't think why. In my macabre pictures, I have either been a monster-maker or a monster-destroyer, but never a monster. Actually, I'm a gentle fellow. Never harmed a fly. I love animals, and when I'm in the country I'm a keen bird-watcher.
It is conventional to call 'monster' any blending of dissonant elements. I call 'monster' every original inexhaustible beauty.
I said to myself, 'the champion of the whole world can whoop every man in Russia, every man in America, every man in China, every man in Japan, every man in Europe - every man in the whole world'.It sounds big, didn't it? So I kept working until I did it.
My favorite classic novel may be 'The Invisible Man.' It's smart and genuinely funny. Otherwise, my favorite character is probably Frankenstein's Monster/Frankenstein the Monster.
The monster behind the wall stirred. I'd come to think of it as a monster, but it was just me. Or the darker part of me, at least. You probably think it would be creepy to have a real monster hiding inside of you, but trust me - it's far, far worse when the monster is really just your own mind. Calling it a monster seemed to distance it a little, which made me feel better about it. Not much better, but I take what I can get.
When a monster stopped behaving like a monster, did it stop being a monster? Did it become something else?
Every episode [in a TV series] is a challenge, and what's challenging in most episodes is the monster. You're always a heartbeat from the monster looking ridiculous. You really have to work so hard to make them not look like ridiculous when they turn up on the set.
In Frankenstein there is a transfer first of life into death (in the creation and animation of the monster), and then of death into life, as the monster takes his revenge on the father who gave him life but withheld recognition.
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