A Quote by Edward Albee

I don't like the climate in which writers have to work in the USA and I think it's my responsibility to talk about it. — © Edward Albee
I don't like the climate in which writers have to work in the USA and I think it's my responsibility to talk about it.
I rarely talk about work with writers, and I love getting together with writers. I think writers are great to get together with, because we can talk about everything. I think that's why I enjoy it. Writers tend to be pretty open-minded, and pretty profane and loose. They have fun minds.
I don't like to claim that I am an expert on anything, but I have enough knowledge about climate science and climate system to be able to write scientific papers and go to meetings and talk about monsoon systems and talk about any other things that you want to discuss about climate science issues. I'm as qualified as anybody that you know on this planet on this topic.
A more appropriate expansion is the statement "it is the responsibility of intellectuals to speak the truth and expose lies" a transcript of a talk to a writers conference in Australia in 1996, where I had been asked to talk on "writers and intellectual responsibility" - a question that I said I found "puzzling," because I knew of nothing to say about it beyond truisms, though these were perhaps worth affirming because they are "so commonly denied, if not in words, then in consistent practice."
I mean, if we're concerned genuinely with writing, I think we probably get on with our work. I think this is very true of English writers, but perhaps not so true of French writers, who seem to read each other passionately, extensively, and endlessly, and who then talk about it to each other - which is splendid.
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
I never talk about what I'm writing about currently, never. It's private work on your own, no need or obligation to talk about it. Writers are made into performers these days, including myself, but there are some instances in which I will not perform.
Artists don't talk about art. Artists talk about work. If I have anything to say to young writers, it's stop thinking of writing as art. Think of it as work.
I've always believed that you should stick as closely to the science as possible. And my biggest advice to reporters has been, if you're doing a climate story, talk to climate scientists. The best climate stories are done by the people who talk to climate scientists.
I don't know why the world has changed so much that writers are now expected to appear in public and talk about their work. It's something I find very difficult. And yet, one does have some sense of responsibility towards one's publishers, to the people trying to sell the book.
I think it's very important to invite and encourage people to talk about climate change who have a lay understanding. In general, there is a lot of confusion among climate activists about the role of science, that scientists should be social and political leaders of this movement.
Traditionalists like me believe the USA has become strong because of its core values, the freedom, individual responsibility and institutions like traditional marriage, which foster common goals.
We, the present generation, have the responsibility to act as a trustee of the rich natural wealth for the future generations. The issue is not merely about climate change; it is about climate justice.
I have a general feeling that writers and artists who are in this peculiar situation, of being a persecuted artist, all anyone ever asks about is the persecution. It may well be that's the last thing in the world they want to talk about. There were many years in which every journalist in the world wanted to talk to me, but nobody wanted to talk to me about my work. That felt deeply frustrating because I felt there was an attempt to stifle me as an artist. The best revenge I could have was to write.
I think climate change is probably the most extreme, and it's been going on for years because it's very difficult to talk about a planetary issue like climate change and to get people who live within four-year electoral cycles to actually pay attention to something that you predict is happening way in the future.
Somebody like me - I am a member of the Global Military Advisory Council on Climate Change, we've been at this for several years now. To have somebody like the Prince of Wales talk about something [like climate changes] elevates that conversation to a much higher level.
I like hearing other writers just about the way they approach writing. It gives me energy for my own work. It's weird; I'm always taking notes about fiction when I'm listening to people talk about craft.
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