A Quote by Edward Albee

It's the function of a playwright to write. Some playwrights write a large number of plays, some write a small number. — © Edward Albee
It's the function of a playwright to write. Some playwrights write a large number of plays, some write a small number.
I don't know of any American playwrights who earn the bulk of their living writing plays. Many of the older ones teach, while a growing number of younger ones write for series television.
Some people grab my hair and pull it out. People write on my jeans when I'm on stage. They write on my boots - their phone number, name or whatever.
I would say, number one, don't worry about getting published. Just write. Number two, just write. Three is make sure you read.
Some writers, of course, simply write, as they feel they are driven to do, by outer/inner inspirations. If, after the work is written and, hopefully, published, others respond -- that is the Champagne. But we, or some of us, don't write for the Champagne. We write because we write.
I write what I write and I honestly don't care if it gets on or not. I'm writing to see if I can find out some of what I think about any number of situations. I work it out in the writing.
For some small number of people, a parental loss appears to be, ultimately, a desirable difficulty - again, not a large number.
To read and to write. Some writers have to be told to write. They think their job is to meet agents and have experiences and they can just be rich and famous. Their job is to write. Some really don't realize that. And you can't write unless you read.
I wanted to write plays. I was at Yale graduate school at the time for English literature, not for acting... I liked the idea of collaboration, and I thought if I'm gonna write plays, I should learn something about speaking the lines that I might try to write.
The mission of the playwright is to look in his heart and write, to write whatever concerns him at the moment; to write with passion and conviction. Of course the measure of the man will be the measure of the play.
The mission of the playwright ... is to look in his heart and write, to write whatever concerns him at the moment; to write with passion and conviction. Of course the measure of the man will be the measure of the play.
Write, write, and write some more. Think of writing as a muscle that needs lots of exercise.
I used to write stories and poetry, but for some reason I have it in my head that if I'm going to write, I have to write a script.
I want to write about serious things, but I want to write about them in a way that makes them accessible to a large number of people - to take them through the argument by dramatizing the circumstances in which these issues are being discussed.
At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation.
It's so much easier to write for a person in your life than to write for some imagined readership, so you write something that's more intimate and true.
Everyone judges plays as if they were very easy to write. They don't know that it is hard to write a good play, and twice as hardand tortuous to write a bad one.
This site uses cookies to ensure you get the best experience. More info...
Got it!