A Quote by Edward Albee
I find relatively little relationship between the work of art and the immediate critical response it gets.
Related Quotes
The final evaluation of a play has nothing to do with immediate audience or critical response.
When you play the oboe, the flute or other wind instruments, there is something between you and the breath; there is the embouchure, the reed, etc. But with the recorder, I receive an immediate response from the instrument. This is something that attracted me to the instrument, that I could immediately feel the response of what I was doing.
A work of art is only of interest, in my opinion, when it is an immediate and direct projection of what is happening in the depth of a person's being.. ..It is my belief that only in this Art Brut can we find the natural and normal processes of artistic creation in their pure and elementary state.
The response to war is to live like brothers and sisters. The response to injustice is to share. The response to despair is a limitless trust and hope. The response to prejudice and hatred is forgiveness. To work for community is to work for humanity. To work for peace is to work for a true political solution; it is to work for the Kingdom of God. It is to work to enable every one to live and taste the secret joys of the human person united to the eternal.
Music deals with time and timing. It's so magical, but when you get into it, every little sound and every little space between the sounds, it's critical, so critical. And if it's not there, it not only feels wrong, but it ruins things.
Much modern art is, at first sight, unnerving... in the contemporary world, we have come to expect instant response and immediate understanding.
The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.
Our institute's agenda is relatively simple. We study the relationship between social-economic change and culture. By culture we mean beliefs, values and lifestyles. We cover a broad range of issues, and we work very internationally.
We are concerned with the relationship between art and life. Contemporary art is only intelligible in terms of its relationship to our life.
The most striking quality common to all primitive art is its intense vitality. It is something made by a people with a direct and immediate response to life.
Find a gap between a trigger event and our usual conditioned response to it and by using that pause to collect ourselves and shift our response
I come from the theater, where the response to your work is immediate, and I suppose there's a part of me that still craves that.
The art is more important than the artist. The work is more important than the person who does it. You must be prepared to sacrifice all the you could possibly have, be, or do; you must be willing to go all the way for your art. If it is a question between choosing between your life and a work of art -- any work of art -- your decision is made for you.
It's a matter of whether you see the self as fundamentally in relationship to other selves or not - whether you see the boundary between self and the world as relatively permeable, which makes you "interdependent" (collectivist) in outlook, or relatively impermeable, which makes you "independent" (individualistic).
We're all busy. It's a very fast-paced world. And art - and by that, I mean culture in a wider sense - is one of the few spaces where we're allowed to look and think without an immediate response or reaction.
I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.
Related Authors
Alan Bennett Quotes
English
Dramatist
Alexandre Dumas Quotes
French
Dramatist
Anton Chekhov Quotes
Russian
Dramatist
David Mamet Quotes
American
Dramatist
Eugene Ionesco Quotes
French
Dramatist
Friedrich Schiller Quotes
German
Dramatist
Harold Pinter Quotes
English
Dramatist
Jean Racine Quotes
French
Dramatist
John Heywood Quotes
English
Dramatist
Jules Renard Quotes
French
Dramatist
Lillian Hellman Quotes
American
Dramatist
Pierre Corneille Quotes
French
Dramatist
Tennessee Williams Quotes
American
Dramatist
Tom Stoppard Quotes
English
Dramatist
W. S. Gilbert Quotes
English
Dramatist
Zora Neale Hurston Quotes
American
Dramatist