A Quote by Edward Albee

The responsibility of the writer is to be a sort of demonic social critic -- to present the world and people in it as he sees it and say, "Do you like it? If you don't like it, change it.
Who’s to say that it takes something like a drug to mess with your perception of reality? How did Hitler deceive a nation? How can one group of people look at the world and see one thing, and another see something completely different? One sees a town, another sees a desert. One sees beauty, another sees chaos.” The skin of this world,” he said quietly.
I don't think any country is perfect. It's our responsibility to do the best we can do to change the things we don't like. I think that's part of social responsibility, and everybody is going to do that in their own way.
These are the best reasons to do anything in life. People who say things like this are the kind of people who change the world. Who prevent the world from ending. Or at least they can change the inner world of a reader and that is a sacred power.
There's this great fashion among writers, especially those who follow the transnational conservatives like V.S. Naipaul, to disavow one's place in the world as a sort of box that has sprung you but is only worthy of your scorn, because it once contained you. And I've been tempted to say foolish things, like "I am an American writer" or "I belong nowhere," but the truth is I'm perfectly proud of identifying as an Indian writer, even if that might hurt my bottom line.
When he looks back, the critic sees a eunuch's shadow. Who would be a critic if he could be a writer? Who would hammer out the subtlest insight into Dostoevsky if he could weld an inch of the Karamazovs, or argue the poise of Lawrence if he could shape the free gust of life in The Rainbow?
Personally, I like the social novel. I like writing that gets in and under the hood and looks about - at what's going on. But I don't say to any writer that that's absolutely what they should do.
If kids can have some sort of social responsibility, that's cool. But if they're not actually having social responsibility, and they're kind of hiding behind it, that's kind of useless, or even worse.
I feel like I've been around for such a long time, as a writer and as an artist, that I need to sort of speak to the way that my perception of the world has sort of changed.
I say the elite looks out of touch because it's kind of saying; look we'll manage all this for you. You know, we know best. We'll sort it all out for you. And then because people believe that doesn't meet their case for change and they want real change, social media and the way the relationship between people can come into a sense of belonging very quickly, that then is itself a revolutionary phenomenon. You see this around the world.
[Louis] Brandeis, like [Tomas] Jefferson, is an equal opportunity critic of bigness. And he, like Jefferson, sees American history as this incredible clash between small producers, farmers, and small business people on the one hand, and wicked oligarchs and financiers and monopolists on the other.
I'm sort lucky in that for me, I'm a writer now. I started as an actor but I'm a writer and so things like 'Wilfred' and shows like that are where I escape to.
If you're in the writer's room, in any writer's room in the world, before you pitch a joke or suggest an idea, you first think it's funny and decide to say it out loud. The next step is for the people around you to accept it or reject it, before it ever sees the light of day, on film or in front of an audience.
I sometimes feel I'm a sort of cult writer, rather than a mainstream writer, in that those who like my stuff like it a lot, but the appeal is not that broad.
I really consider myself a writer, and a writer who is sometimes a social critic. I'm not an ideologue, I don't join a party. I follow along and take notes. Sometimes I throw in my two cents.
From time to time, you have seminal personalities who really change the way the world sees itself - people like Gandhi, Martin Luther King, Nelson Mandela. Warren Buffett is that kind of person in the business world.
To choose a writer for a friend is like palling around with your cardiologist, who might be musing as you talk to him that you are a sinking man. A writer's love for another writer is never quite free of malice. He may enjoy discussing your failures even more than you do. He probably sees you as tragic, like his characters - or unworthy of tragedy, which is worse.
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