A Quote by Edward Albee
I find that in the course of the day when I'm writing, after three or four hours of intense work, I have a splitting headache, and I have to stop. Because the involvement, which is both creative and self-critical, is so intense that I've got to stop doing it.
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Even when I wasn't doing much 'science for the public' stuff, I found that four or five hours of intense work in physics was all my brain could take on a given day.
The attack on the transgender troops - disgusting, disgraceful, outrageous. It's just endless. And then you try to do your day job of finding good bipartisan work across the aisle... You're doing both all the time. I guess I would describe it as intense. Everything is very intense.
I work on one book at a time. And yes, I am immersed. Six days a week for four to six hours a day. In between books, I stop writing for as much as two to three months, but during that time, I do research and think, plot and plan the book.
I'm a self motivated person, that's what got me to the point I'm at today. I don't take anybody lightly because this is what I do, this is my job. The day that I stop taking it seriously is the day I have to stop boxing. I would never put myself into a position where I go into the ring not prepared.
A big reason why we were able to and have been able to continue to succeed is that we had a very intense work ethic, right from the beginning. There was a do-or-die attitude toward the work. It wasn't seen as a little "club." It was like, "This is your life." We would spend hours and hours rehearsing and endlessly rewriting. We took it very seriously right off the bat. And we were also extremely critical of each other, which was another thing that was unique. A lot of comedy ensembles have a hard time being critical of each other, because they don't want to hurt each other's feelings.
If you're doing an hour-long show, you're working movie hours, doing a 12-15-hour day. We work three or four hours a day, and get every third or fourth week off to give the writers time to write. It's the cushiest job in Hollywood.
I'm not going to just stop doing it because I got hurt once. People get hurt in car wrecks every day, and they don't stop driving the car the rest of their life to work. It's my passion. It's what I want to do with my life. It's a part of what I do.
I think that it is very interesting to write about a team because a team is a group of people who work in very close quarters and have very intense relationships so - in my days of playing sports, I was very rarely on a team that did not have it's own peculiar dynamic, and you wind up having very intense feelings for good and for bad about these people with whom you spend many hours a day.
I have a few methods that I use. One of them that kind of works but is a bit a boring is that I lock myself in the studio and I have four hours to work and come up with stuff. If nothing's sticking in four hours, then I can stop.
The other thing is that it's really hard to separate out the harassment from everything we do. When we started creating Tropes, we were hyper-aware of the intense scrutiny, the intense harassment, and the intense pressure to do something meaningful given the attention both positive and negative. That's carried over in terms of making sure that I produce the best work that I can, that's the most accurate, the most sensitive and engaged.
Don't try to write too much in a single session. One thousand words a day is quite enough. Stop after about four or five hours.
In the two or three or four months that it takes me to write a play, I find that the reality of the play is a great deal more alive for me than what passes for reality. I'm infinitely more involved in the reality of the characters and their situation than I am in everyday life. The involvement is terribly intense.
That summer after the draft was probably the most fun I've ever had, because all I had to do every day was wake up and go work out for four or five hours. I got to play some golf, which I love to do, too, and then got to hang out with my family.
One of the things I love about the theater is that no one can tell you to stop. Once you're onstage, it's three hours, and whether you're completely off or you're just horrendous, you've got to find a way to leave an impression. There's not that terrible thing that you get when you're making a movie, where you get in your car at the end of the day knowing that something you're not proud of was immortalized on film, and you can't fix it because they won't reshoot it.
Three hours of creating is taxing on any brain, and you should stop there. Some days, you may stop without any words at all. It's much easier to write new stuff the next day than to go through painful deletions of a day's worth of crap you already wrote.
If you stay up late and you have another hour of work to do, you can just stay up another hour later without running into a wall and having to stop. Whereas it might take three or four hours if you start over, you might finish if you just work that extra hour. If you're a morning person, the day always intrudes a fixed amount of time in the future. So it's much less efficient. Which is why I think computer people tend to be night people - because a machine doesn't get sleepy.
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