A Quote by Edward Albee
If I've been accused a number of times of writing plays where the endings are ambivalent, indeed, that's the way I find life.
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In life, the number of beginnings is exactly equal to the number of endings ... In poetry, the number of beginnings so far exceeds the number of endings that we cannot even conceive of it.
I've been accused countless times of writing gloomy futures. But to me, the texture of my sci-fi just feels like an extrapolation of current trends.
I prefer to be accused unjustly, for then I have nothing to reproach myself with, and joyfully offer this to the good Lord. Then I humble myself at the thought that I am indeed capable of doing the thing of which I have been accused.
I have, over the years brought an enormous number of plays to television starting obviously with Nicholas Nickelby and then things like Angels In America or in Wit with Emma Thompson and Mike Nichols. So, yes, I do find that very interesting and I'm sure that down the road there will be plays that I'll want to do that way.
I've been a loner all the time throughout my life... I haven't been the best father... Many times... my children have accused me of not giving them enough attention. And, frankly, I never have been good at handling that.
Undoubtedly to some, the idea of giving so much love to self will seem very cold, hard and unmerciful. Still this matter may be seen in a different light, when we find that 'looking out for number one,' as directed by the infinite, is really looking out for number two and is indeed the only way to permanently benefit number two.
My family doesn't do happy endings. We do sad endings or frustrating endings or no endings at all. We are hardwired to expect the next interruption or disappearance or broken promise.
When writing on black life, whites have often been unwelcome, usually called upon to give witness or hauled in as the accused.
What I find is that many times when I work with chance, with indeterminacy, I am more open to experience, less prone to a fixed process, and I think it creates a very important challenge. It creates a way of writing that is, in a way, flatter or smooth, a surface conducive to release, to movement. And in this way, the form of writing gets delightfully melded with the process of the writing.
I have been accused of many things in my life, but not even my worst enemy has ever accused me of being afraid to speak my mind.
I'm not an endings person. I don't do endings. There may have been people in the band who wanted this to be an ending from time to time, but me and Amy don't really do endings. You cannot escape from us. Once we're friends with you, that's it.
I find it ironic that happy endings now are called fairytale endings because there's nothing happy about most fairytale endings.
Best not to look back. Best to believe there will be happily ever afters all the way around - and so there may be; who is to say there will not be such endings? Not all boats which sail away into darkness never find the sun again, or the hand of another child; if life teaches anything at all, it teachers that there are so many happy endings that the man who believes there is no God needs his rationality called into serious question.
Teaching and writing have tended to proceed on parallel lines, but there have been times when there was indeed carry-over from the classroom to the creative work.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
So many American plays are about family. When you're in the first part of your life, you write about family a lot. I find with my absurdist plays that I was actually writing about my family, but so disguised I didn't realize it myself.
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