A Quote by Edward Albee

There are lots of young vital playwrights who are experimenting, and these are the plays that people who are interested in the theatre should see. They should go off Broadway. They should go to the cafe theatres and see the experiments that are being made.
To me, the fundamental thing - well, I guess I see a lot of people debating in the wrong way. A lot of the debate is, should we go to the coasts, should we go to the center, should we go to the left, should we go to the right?
People go to theatres to see newer things. Content should be the king.
You see people say: 'He should go back to baseball. He should do this; he should do that.' Those are people who said I would never even make it here. There's always another hurdle to go over, and it's fun to use that as motivation.
When I announced on my Facebook page that I'm coming to Israel, people started telling me that I shouldn't go there, but I figured that if I'm not going to come here, then I guess I can't go back to the United States anymore and I can never go to Russia again and I should probably never go back to Germany and I should probably never go back to France and I should probably never go back to England....All I see here is a really beautiful city.
Theatre supposes lives that are poor and agitated, a people searching in dreams for a refuge from thought. If we were happier and freer we should not feel hungry for theatre. A people that is happy and free has need of festivities more than of theatres; it will always see in itself the finest spectacle.
Every government secretary of state or minister should jolly well go to the theatre, go to a concert, go to an art gallery, go to a museum, become somehow interested in these things. If they're not interested, they shouldn't be in government, full stop.
If artists do see fields blue they are deranged, and should go to an asylum. If they only pretend to see them blue, they are criminals and should go to prison.
The commercial theatre may still be considered one of New York's primary tourist attractions, but . . . there is no longer an audience for serious Broadway plays. . . . Perhaps we should acknowledge that, having lost its traditional audience, Broadway can never again be a home for new plays.
If you're interested in any artist, go see them live. I always say that you should go see an artist live. That's an experience that only you and the people in the room can say that they have.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
People come to me and say, 'What'll I do if I go in the water and see a shark?' You don't have to do anything. The chances of that shark attacking you in any way is so remote. The sea should be enjoyed, the animals in it. When you see a shark underwater, you should say, 'How lucky I am to see this beautiful animal in his environment!'
I think when you get interested in antiques, the most frustrating thing is that books don't have enough photos. When you go to a flea market or garage sale, you see lots of things you've never seen before and you have no idea what the price is going to be or should be.
Is the American theatre allowing itself to become irrelevant? The problem isn't that playwrights aren't being paid enough. It's that theatres all over America are looking towards New York to tell them what new plays to do.
Police vetting should [take place] every one to two years. They should go in for a psychological, to see if they're burned out, see if they've been traumatized. If they're having a hard time, help them!
A good friend of mine told me you should take a break and you should go see the world. Go somewhere. That is when I chose to go to Egypt, and so I took this beautiful trip to Egypt. It was the first time ever in my whole life I took three weeks off, and I sailed down the Nile and I saw the tombs and the temples, and I experienced a place that was so magical and so incredibly powerful and intelligent and inspiring.
Why should racism go away when we are not tackling it in the right way? We are influenced by what we see in the world and what we see in the world is certain people being considered more worthy than others - and we continue to see that.
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