A Quote by Edward Albee
To a certain extent I imagine a play is completely finished in my mind - in my case, at any rate - without my knowing it, before I sit down to write.
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When I start a film, I can sort of shut my eyes, sit somewhere quiet and imagine the movie finished. I can imagine the camera angles, I can even imagine the type of music. Without knowing the tune, I can imagine the type of music it needs to be.
If only you’d remember before ever you sit down to write that you’ve been a reader long before you were ever a writer. You simply fix that fact in your mind, then sit very still and ask yourself, as a reader, what piece of writing in all the world Buddy Glass would most want to read if he had his heart’s choice. The next step is terrible, but so simple I can hardly believe it as I write it. You just sit down shamelessly and write the thing yourself. I won’t even underline that. It’s too important to be underlined.
Each time I sit down and write a play I try to dismiss from my mind as much as I possibly can the implications of what I've done before, what I'm going to do, what other people think about my work, the failure or success of the previous play. I'm stuck with a new reality that I've got to create.
In the middle of the dream I said to myself 'press pause' and in the dream I said I'm going to write this down. But I was so frightened to get out of bed and write it down that I would miss the rest of the story. And I had to know what happens. And I pressed play. When I finished there was a knowing that I would never forget this. I literally had a smile. There was a knowing in my sleep. And here I am. I was actually reading it to my dogs yesterday. I still find it quite incredible.
If you want to write something completely unique, you will probably fail or at best write something without redeeming value. The mind works in certain patterns: the mind organizes facts in story form; it is your commonality with that body of human thought that makes a good book, not its estrangement from the common values that humans share.
Contrary to what many of you may imagine, a career in letters is not without its drawbacks - chief among them the unpleasant fact that one is frequently called upon to sit down and write.
I tend to write on an acoustic guitar or the piano. I have kind of a rule: if I can't sit down and play this and get the song over, I don't take it to the band, because most any good song, you can sit down and deliver it with a piano or a guitar.
When you have finished analyzing all the variations and gone along all the branches of the tree of analysis you must first of all write the move down on your score sheet, before you play it.
I usually think about a play anywhere from six months to a year and a half before I sit down to write it out.
The human mind is a wonderful thing, it starts working from before you're born and doesn't stop till you sit down to write a song.
If I'm feeling something, I know if it's a song, or if it's a little story that I'm going to write, or if it's a painting or play. I might sit down and write a play.
I don't really write any of my raps down. The same, Kanye don't write any of his raps down. Common. It's easy that way. For me, personally, I figure I will lose some of the inspiration in the time of me writing it down, or I'll say it a certain way because I wrote it a certain way.
I don't sit down to write a country song. I don't sit down to write a rap song. I just sit down to write a song, you know what I mean? And I try to make that song the best it can be.
I may have a general broad-based idea of what I want to write about when I sit down to write a book, but I don't have any idea of what it's going to say. I would call my experience of creativity 'inspired by God' to produce certain pieces of information that might be useful to others.
First, I do not sit down at my desk to put into verse something that is already clear in my mind. If it were clear in my mind, I should have no incentive or need to write about it. We do not write in order to be understood; we write in order to understand.
I could not sit seriously down to write a serious Romance under any other motive than to save my life, & if it were indispensable for me to keep it up & never relax into laughing at myself or other people, I am sure I should be hung before I had finished the first chapter. No - I must keep my own style & go on in my own way; and though I may never succeed again in that, I am convinced that I should totally fail in any other.
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